Their writing often explores themes of introspection, love, loss, and resilience
The Devil in the Mirror
A Poem by Rayne LaDuex
Step into the quiet spaces where words speak volumes and emotions echo in the stillness. Silence is a poignant compilation of poetry, short stories, monologues, journal entries, and thoughts, capturing the intricate dance of human experiences—both spoken and unspoken. This collection invites you to explore moments of vulnerability, triumph, love, and loss through a lens that celebrates the power of reflection. From the rhythm of poetic verses to the depth of story-telling, each piece offers a window into the raw and relatable intricacies of life. With themes that touch on identity, resilience, connection, and the beauty found in still moments, Silence serves as both a sanctuary and a catalyst—a reminder that within the quiet, we find our truest selves. For readers who seek solace, inspiration, and the profound within the subtle, Silence is a book to treasure, ponder, and revisit time and again.
He stands before a cracked mirror, tracing the lines of his own face as though seeking an answer in the glass. But the glass only reflects the gleam of his fear, the flicker of his guilt.
He has named himself virtuous—anointed his frailty as righteousness—but behind the veneer, his heart drums with the pulse of a beast that knows no virtue.
Man created morality as a shield, a coat of mail to hide the raw wound of his weakness. He baptized his cowardice “strength,” his selfishness “charity,” and perched upon a throne of borrowed holiness.
Yet when sin seeps through his fingers like molten iron, he recoils and cries, “It was the devil.” As if evil were a creature stitched from brimstone, wandering unseen in his house of bones.
He cannot utter that the claws belong to him, that his own lips forged the chains that bind his soul.
He blames the devil because he cannot bear to look at the emptiness behind his own eyes, where the blackened seed of his transgression germinates.
In the dead hours before dawn, he dreams of a ledger in the heavens, each transgression weighed against a scale that cannot be cheated.
But he is blind to the ledger in his own chest, where every betrayal is already inked in flame. He forgets that the devil is only a word—a scapegoat for the terror of owning one’s darkness.
He refuses to be both the sinner and the judge. He refuses to strip away the borrowed robes and stand naked beside his weakness.
So he keeps dancing with shadows, titling his sins “demons,” never once daring to lower his hand to the savage beauty of truth.
And in that perpetual waltz, he fails to hear the devil’s true whisper: that morality, once wrested from weakness, can become its own kind of prison.
Better to embrace the fire within—harden the steel of conscience with honest flesh—than to cower beneath a cloak of lies. Only when he stares unflinchingly into his own reflection will he see that the only devil worth fearing is the one he refuses to acknowledge.
Rayne LaDuex is a passionate writer of poetry and short stories that delve into the raw and often unspoken facets of human experience. Drawing inspiration from the quiet moments of life and the intricate emotions that weave our stories, LaDuex creates work that is both deeply personal and universally resonant. Their writing often explores themes of introspection, love, loss, and resilience.
In addition to writing, LaDuex balances creativity with a career in project management and serves their community as a high school football coach, helping to mentor and inspire the next generation. They find harmony between structure and imagination, weaving these experiences into their art. Silence is their debut collection, a heartfelt offering to those who find solace in words and the spaces between them.
TAGS: poetry, resilience, introspection, Rayne LaDuex, The Sword and the Stern, Ship of Theseus, Damocles, personal growth, identity, The Stewardship Report
A documentary unveils the hidden world of Ottoman içoğlanlar–male concubines–and their dangerous path to power
New York, N.Y. – In the shadowed corridors of the Topkapi Palace, where the scent of rose oil mingled with whispers of ambition and betrayal, a forgotten world once pulsed with life, ritual, and silence.
This is not the tale of emperors as history books have told it—of conquests, treaties, or glorious victories. This is the unseen empire behind the empire.
A groundbreaking documentary is pulling back the veil on one of history’s most secretive institutions: the Enderun, the Ottoman palace school that transformed stolen boys into the most powerful advisors in the empire.
Through rare archival insights and immersive visuals, this cinematic journey resurrects the untold lives of the içoğlanlar—the boys of the interior who lived in gilded captivity within the Abode of Felicity.
The Architecture of Human Transformation
The Enderun system represented something unprecedented in human history: a machine for manufacturing loyalty through beauty, intellect, and absolute dependence.
Boys, typically aged eight to fourteen, were taken from Christian villages across the Ottoman Empire through the devshirme system—a human tax that stripped families of their sons forever.
These children arrived at the palace with nothing but their names, which were immediately erased. In their place, they received new identities, new languages, and new purposes.
The transformation was total: Christian boys became Muslim servants, village children became courtiers, and innocents became instruments of imperial power.
The Privy Chamber—the innermost sanctum of imperial authority—became their world. Here, decisions that shaped continents were whispered between velvet curtains and flickering lamps.
But this chamber held more than secrets of state; it harbored the most delicate, dangerous, and disposable instruments of power.
Beauty as Currency, Silence as Survival
Within the palace walls, beauty was power, loyalty was survival, and silence was the price of breath. The içoğlanlar were educated in the divine beauty of verse, schooled in the violent grace of the sword, and taught to please a ruler who owned everything, including them.
Their education was comprehensive and ruthless. They studied Persian poetry, Arabic calligraphy, Turkish literature, and the subtle arts of court protocol. They learned to move like dancers, think like scholars, and fight like warriors. Perfection was the minimum standard—one flaw, one slip, could mean disappearance into the waters of the Bosphorus, silently, without record.
The ultimate prize—being chosen by the Sultan himself—was also the ultimate risk. These boys became advisors to emperors and companions in all but name. The face of a beautiful youth might launch political schemes more deadly than any army, while a whispered word could topple viziers or redirect the course of nations.
The Paradox of Privileged Captivity
The documentary explores a world where poetry cloaked possession, where music softened chains, and where devotion could elevate a slave to the ear of God’s shadow on Earth. Yet behind every silk-draped wall lurked envy, danger, and the unblinking gaze of those eager to claim another’s fall as their rise.
Power, when gifted by a Sultan, came with no guarantees. The içoğlanlar existed in a state of perpetual uncertainty, their fate dependent on the whims of their master and the machinations of their rivals. They were simultaneously the most privileged and most vulnerable members of Ottoman society.
Historical Amnesia and Rediscovered Truths
The systematic erasure of these stories from official histories speaks to the deliberate nature of historical amnesia. The içoğlanlarwere written out of Ottoman records not by accident but by design. Their existence challenged too many narratives about power, sexuality, and the nature of empire itself.
Recent scholarship has begun to piece together their stories through surviving palace records, diplomatic correspondence, and architectural evidence. The documentary draws on these sources to reconstruct not just the mechanics of the system but the human experiences within it.
A Mirror for Modern Power
This is not just Ottoman history. It is a meditation on power’s most intimate expressions and history’s most deliberate omissions. The story of the içoğlanlar reveals how empires have always understood that the most effective control operates not through force but through the manipulation of desire, identity, and belonging.
Their stories, long buried beneath polished marble and revised memory, rise once more—not as myths, but as real, breathing echoes of a history that dared not be remembered. In an age when we continue to grapple with questions of power, exploitation, and the price of proximity to authority, their voices carry urgent relevance.
Summary
This documentary unveils the hidden world of Ottoman içoğlanlar—boys stolen from their families and transformed into the empire’s most powerful advisors. Living in gilded captivity within Topkapi Palace, they navigated a dangerous world where beauty was power, loyalty meant survival, and silence was the price of breath. Their forgotten stories reveal how empires have always understood that the most effective control operates through the manipulation of desire, identity, and belonging—lessons that remain disturbingly relevant today.
Top S.A. Officials Eliminated as Führer Consolidates Power and Appeases Military Command
Gay Officers Executed “for Perversity” as Excuse to Remove Rival Power Threat
New York, N.Y. – The summer of 1934 witnessed one of the most ruthless displays of political violence in modern European history, as Adolf Hitler [Luce Index™ score: 35/100] orchestrated the systematic elimination of key Sturmabteilung (S.A.) leaders during what became known as the ‘Night of the Long Knives.’
Among the victims was gayNazi S.A. officerEdmund Heines, a decorated World War I veteran whose violent past had made him both a valuable asset and dangerous liability to the Nazi regime.
War Hero Turned Revolutionary
Edmund Heines was born on July 21, 1897, in Munich, then part of the German Empire. His early life followed the trajectory of many who would later join the Nazi movement: military service, wartime trauma, and post-war disillusionment.
During World War I, Heines served on the Western Front, where he sustained a severe head wound in 1915 that required extended convalescence. Despite his injuries, he demonstrated exceptional bravery, earning the Iron Cross 1st and 2nd Class and achieving the rank of reserve lieutenant by 1918.
The transition from decorated soldier to political extremist occurred during Germany’s turbulent post-war period. In March 1920, Heines participated in the Kapp Putsch, a failed coupattempt by extreme right-wing factions seeking to overthrow theWeimar Republic and restore authoritarian rule.
When the putsch collapsed, Heines and his associates went underground, scattered across Germany and nursing their grievances against the democratic government.
The Fememord Scandal
The most damaging episode in Heines’ pre-Nazi career involved his participation in a Fememord – a political assassination carried out by right-wing vigilantes. The victim was Willi Schmidt, and the murder would haunt Heines for years.
On January 22, 1928, authorities arrested Heines in Schongau for his involvement in Schmidt’s killing. He was subsequently transferred to Stettin – today’s Polish Szczecin – to stand trial as the main defendant.
The prosecution demanded the death penalty for Schmidt’s murder, reflecting the gravity of the charges. However, the Stettin court ultimately sentenced Heines to 15 years in prison for manslaughter, later reduced to five years.
In a development that would prove significant for his later Nazi career, Heines was released from custody on May 14, 1929, after posting bail of 5,000 Reichsmarks (about US$1,200 today).
Rise Within the S.A. Ranks
Heines’ criminal background, rather than hindering his Nazi career, actually enhanced his standing within the S.A., where violence and intimidation were valued skills.
The Brown Shirts had emerged as the Nazi Party’s paramilitary wing, responsible for street fighting, disrupting opposition meetings, and creating an atmosphere of fear that helped bring Hitler to power.
Heines’ willingness to use deadly force made him an ideal candidate for leadership within this organization.
By 1934, however, the S.A. had become a liability for Hitler’s broader political ambitions. The organization’s revolutionary rhetoric and demands for a “second revolution” alarmed both the traditional military establishment and conservative politicians who had initially supported the Nazis.
S.A. leader Ernst Röhm, also gay, openly advocated for the Brown Shirts to replace the regular German army, creating tension with military commanders who viewed the S.A. as undisciplined rabble.
The Purge Unfolds
The events of June 30, 1934, marked Hitler’s decisive move to eliminate the S.A. leadership while simultaneously appeasing the military and conservative allies.
Under the pretext of preventing an alleged S.A. coup, Hitler ordered the arrest and execution of numerous Brown Shirt leaders, including Heines. The purge extended beyond the S.A., claiming the lives of other perceived enemies and rivals, including former Chancellor Kurt von Schleicher and conservative politician Gustav Ritter von Kahr.
Heines was arrested at a lakeside hotel in Bad Wiessee alongside other S.A. leaders. He was found in bed with his male driver, which Hitler used to justify the purge under the guise of eliminating “moral corruption” within the movement. The emphasis on “homosexuality” served multiple purposes: it provided a convenient excuse for the killings while appealing to traditional conservative values.
Political Calculations Behind the Violence
The elimination of Heines and his fellow S.A. leaders represented more than simple political housecleaning. Hitler recognized that his path to total power required the support of Germany’s traditional military establishment, which viewed the S.A. as a threat to their institutional authority. By destroying the Brown Shirt leadership, Hitler demonstrated his willingness to sacrifice early supporters for strategic advantage.
The purge also served notice to potential rivals within the Nazi movement that loyalty to Hitler personally trumped all other considerations. The speed and brutality of the killings sent a clear message: no one, regardless of their service to the party, was safe from Hitler’s wrath if they posed a perceived threat to his authority.
Legacy of the Night of the Long Knives
The elimination of Edmund Heines and other S.A. leaders during the Night of the Long Knives marked a crucial turning point in Nazi Germany’s development.
The event demonstrated Hitler’s willingness to use extreme violence against his own supporters while revealing the regime’s fundamentally opportunistic nature.
For Heines, a man whose violent past had initially served the Nazi cause, the purge represented the ultimate betrayal by a movement that had once celebrated his brutality.
The systematic nature of the killings also provided an early glimpse of the industrial-scale violence that would characterize the Nazi regime.
The careful planning, coordination with security forces, and subsequent propaganda campaign to justify the murders all prefigured the methods that would later be employed in the Holocaust and other Nazi atrocities.
Edmund Heines, a decorated World War I veteran turned Nazi S.A. leader, was among those killed during Hitler’s 1934 Night of the Long Knives purge. His violent past, including participation in the Kapp Putsch and a political murder, initially made him valuable to the Nazi movement but ultimately marked him for elimination as Hitler consolidated power.
TAGS: nazi history, edmund heines, night of the long knives, s.a. brown shirts, hitler purge, political violence, weimar republic, kapp putsch, ernst rohm, german history
New York, N.Y. — The Democratic People’s Republic of Korea (DPRK) — North Korea — has intensified its covert operations, embedding IT workers under false identities in companies worldwide to funnel salaries to the regime and, increasingly, to extort employers.
Initially concentrated in the United States, this scheme has expanded to Europe, targeting industries from cryptocurrency to defense. A recent report from Mandiant, published in April 2025, highlights the growing sophistication and global reach of these operations, posing significant risks of espionage, data theft, and financial disruption.
A Case of Deception at Iqlusion
In 2021, Iqlusion, a U.S.-based cryptocurrency startup, hired two remote developers, “Jun Kai” and “Sarawut Sanit,” believing they were based in Singapore. “I talked to them almost every day for a year. They did the work. And I was, frankly, pretty pleased,” said Zaki Manian, Iqlusion’s co-founder, in an interview with Coindesk.
The developers performed competently, contributing to the company’s projects without raising suspicion. Months after their departure, the FBI contacted Manian, revealing that the cryptocurrency wallets used for their salary payments were linked to the North Korean regime. Iqlusion had unwittingly employed operatives who funneled their earnings to Pyongyang, a tactic used to bypass international sanctions.
North Korean leader Kim Jong-un has a range of options in his toolkit for coercive diplomacy, beyond the nuclear and missile programs, to advance his objectives.
This incident is not isolated. Since the United Nations Security Council first reported such activities in 2019, hundreds of companies, primarily in the U.S., have fallen victim to similar schemes.
DPRK IT workers, often operating under the direction of the Reconnaissance General Bureau, use fabricated personas, claiming nationalities from countries like Italy, Japan, Malaysia, or Vietnam, to secure remote positions. Payments are typically routed through cryptocurrency platforms, TransferWise, or Payoneer, obscuring the funds’ ultimate destination.
Europe’s Rising Vulnerability
While the U.S. remains a primary target, DPRK IT workers have increasingly focused on Europe, driven by heightened scrutiny and stricter hiring regulations in the U.S.
Google Threat Intelligence Group (GTIG), in an April 2025 report, noted a surge in operations across European nations, particularly targeting the defense and government sectors.
Google Threat Intelligence Group logo.
One DPRK operative was found managing 12 distinct personas, seeking employment in Germany, Portugal, and the United Kingdom. These workers leveraged platforms like Upwork, Telegram, and Freelancer to secure contracts, often providing fabricated references to build credibility.
In the U.K., DPRK IT workers have engaged in diverse projects, from web development using Next.js and Tailwind CSS to advanced blockchain applications involving Solana and CosmosSDK.
One notable project included an AI-driven web application combining Electron, Next.js, and blockchain technologies. These efforts demonstrate not only technical proficiency but also an ability to adapt to cutting-edge fields, making their infiltration harder to detect.
Evolving Tactics: Extortion and Virtual Workspaces
Beyond siphoning salaries, DPRK IT workers have escalated their tactics to include extortion.
Since October 2024, GTIG has observed an increase in threats from terminated workers to leak sensitive data or sell proprietary code to competitors.
This shift coincides with intensified U.S. law enforcement actions, including Department of Justice indictments, which may be pushing operatives to adopt more aggressive measures to maintain revenue streams.
“The pressure from disruptions and indictments seems to be driving these actors to bolder tactics,” noted Jamie Collier, a GTIG analyst.
The adoption of bring-your-own-device (BYOD) policies by some companies has further complicated detection.
Unlike corporate-issued laptops, personal devices often lack robust security monitoring, enabling DPRK operatives to operate undetected within virtualized infrastructures.
In January 2025, GTIG identified instances of DPRK workers exploiting BYOD environments to access sensitive systems, increasing the risk of data breaches and espionage.
Facilitators and Global Networks
The success of these operations relies on a network of facilitators who assist DPRK workers in evading identity verification and securing fraudulent payments.
Investigations have uncovered facilitators in the U.S. and U.K., with one case involving a corporate laptop intended for New York being used in London.
Other findings include fabricated resumes claiming degrees from Belgrade University in Serbia and instructions for navigating European job platforms.
Brokers specializing in fake passports further enable these schemes, providing DPRK operatives with credible documentation to infiltrate companies.
The U.N. 2019 report highlighted how DPRK financial institutions maintain over 30 overseas representatives to facilitate illicit transactions, including those tied to IT worker schemes.
These networks, often linked to entities like the Korea Mining Development Trading Corporation, help Pyongyang bypass sanctions and fund its weapons of mass destruction programs, with cyber operations generating up to $2 billion to date.
Mitigating the Threat
Companies must adopt stringent vetting processes to counter this threat. Verifying identities through in-person interviews or trusted third-party services can reduce the risk of hiring fraudulent candidates. Additionally, organizations should enhance monitoring of remote workers, particularly those in BYOD environments, to detect suspicious activity.
Mandiant and GTIG recommend regular audits of payment channels, especially cryptocurrency transactions, to identify links to sanctioned entities.
As DPRK IT workers expand their operations, global cooperation is critical. Governments and private sectors must share intelligence to disrupt facilitator networks and strengthen sanctions enforcement.
The U.N. report underscores the need for robust implementation of financial sanctions to limit Pyongyang’s access to global financial systems.
Summary for audio recording
North Korea’s IT infiltration scheme, funneling salaries to the regime through fake identities, has expanded from the U.S. to Europe. Operatives target industries like cryptocurrency and defense, using advanced tactics like extortion and exploiting virtual workspaces. Facilitators in multiple countries aid these efforts, evading sanctions and funding Pyongyang’s weapons programs. Companies must strengthen vetting and monitoring to counter this growing global threat.
Abrams Urges Protests Against Autocratic Behavior in U.S. Politics
New York, N.Y. — In a powerful MSNBC interview, Stacey Abrams called for protests against President Donald Trump’s alleged illegal actions, emphasizing the critical role of public dissent in safeguarding U.S. democracy from autocratic threats.
On July 14, 2025, Georgia Democratic leader Stacey Abrams appeared on MSNBC’s “The Beat” to deliver a compelling case for public protest against what she described as PresidentDonald Trump’s “illegal behavior.”
Her remarks come amid heightened political tensions, as concerns grow over actions that critics argue undermine democratic norms. Abrams, a prominent advocate for voting rights and democratic reform, framed protest as an essential tool to counter autocratic tendencies, drawing from her recent discussions on the “ten steps to autocracy” that threaten U.S.democracy.
The Threat of Autocracy
Abrams warned that America is not immune to the erosion of democratic principles seen in other nations. “We seem to think that we’re immune to what has happened to other democracies that have fallen into the hands of autocrats,” she said.
She outlined how autocracies thrive by instilling fear, silencing dissent, and discouraging citizens from speaking out due to potential consequences. For Abrams, protest serves as a direct counter to this strategy, empowering individuals to challenge authority and assert their rights.
Her comments reflect growing concerns among political analysts and activists about Trump’s actions, which many describe as authoritarian. From executive orders bypassing Congress to reported pressure on federal agencies, critics argue that these moves concentrate power and weaken checks and balances.
Abrams emphasized that silence in the face of such actions enables autocracy to take root, urging citizens to recognize their responsibility to act.
President Donald Trump illustrating ‘autocratic behavior in U.S. politics.’
Protest as a Democratic Tool
“Protest is the counter-narrative,” Abrams declared, underscoring its role in exposing and resisting autocratic behavior. She argued that protests signal to those in power that their actions are being scrutinized and will not go unchallenged.
“It says I see what you’re doing. I believe I have not only the right, but the responsibility to point out that what you are doing is wrong,” she said. This call to action resonates with civil rights movements historically rooted in Georgia, where Abrams has been a leading voice.
Arndrea Waters King, third from left, and Martin Luther King III, fourth from left, march in the “No Kings” protest, Saturday, June 14, 2025, in Philadelphia. Photo credit: Yuki Iwamura.
She acknowledged the risks involved, noting that authorities may respond with force, including “armed agents and Marines.” Yet, she stressed that the act of protest remains vital, even when it feels inadequate.
“There is nothing that hits the ear of an autocrat sharper than the sound of people saying, we could see you and we refuse to submit,” Abrams said. Her words echo the legacy of nonviolent resistance championed by figures like Martin Luther King Jr., who used public demonstrations to challenge systemic injustice.
New York City. No Kings protest on Saturday, June 14, 2025.
The Cost of Silence
Abrams highlighted the personal and collective costs of remaining silent. She warned that autocratic regimes often target specific groups to instill fear in the broader population.
“Part of our responsibility is to recognize that no matter who they are coming after, first they’re coming after you next,” Abrams said.
This perspective draws parallels to historical warnings about the gradual erosion of freedoms, where initial attacks on marginalized groups pave the way for broader oppression.
Her remarks come at a time when protest movements across the U.S. have gained momentum. From Washington, D.C. to Atlanta, citizens have taken to the streets to oppose policies perceived as undermining democratic institutions.
Abrams’ advocacy aligns with these efforts, reinforcing the idea that collective action is a cornerstone of democracy. She urged Americans to overcome fear and embrace their role in holding leaders accountable.
Denver: Thousands of people took to the streets taking part in the No Kings protest on Saturday, June 14, 2025. Photo credit: Hart Van Denburg/CPR News.
A Call to Sustain Momentum
While acknowledging the challenges of sustaining protest movements, Abrams emphasized their long-term impact. She cited examples of successful grassroots efforts in Georgia, where her work with organizations like Fair Fight has expanded voter access and challenged electoral suppression.
These efforts demonstrate the power of sustained civic engagement, even in the face of resistance from powerful institutions.
Abrams also addressed the emotional toll of protest, noting that it can feel “inadequate to the task” when confronting entrenched power. However, she argued that every act of dissent weakens the grip of autocracy.
By drawing attention to Trump’s alleged illegal actions, Abrams seeks to galvanize a broad coalition of activists, voters, and community leaders to protect U.S. democracy.
Kansas City: No Kings protest on Saturday, June 14, 2025.
Congresswoman Ilhan Omar sparked controversy at a Nashville-area town hall, accusing U.S. authorities of sending migrants to “dungeons” and proposing a ban on masked enforcement operations.
New York, N.Y. — An event billed as fostering community dialogue, a “love thy neighbor” town hall outside Nashville, Tennessee, on Saturday became a platform for Representative Ilhan Omar (D-Minn.) to launch a scathing critique of U.S. immigration enforcement.
Love Thy Neighbor Event Hosts Fiery Critique
Speaking to an estimated crowd of 500 at Cane Ridge High School in Antioch, Omar employed stark language, alleging migrants are being abducted and sent to “dungeons” in foreign countries, disappearing without trace.
The event’s organizers signaled their stance clearly with a sign posted outside: “ICE NOT PERMITTED ON THE PREMISES,” ensuring attendees knew Immigration and Customs Enforcement (ICE) was a central topic.
“Shocking” Images and a Call for American Conscience
Omar framed the actions of ICE within a global context, asserting that images emerging from recent ICE raids shock the international community.
“When they see these kinds of images coming out of America. To them it is really shocking and it should be to all of us as Americans,” Omar told the audience, as reported by the Daily Wire.
Her core argument rested on the principle that harsh treatment of migrants sets a dangerous precedent. Echoing Martin Niemöller, a German pastor who was imprisoned for his opposition to the Nazis who spoke about the dangers of indifference and silence in the face of injustice.
Rep. Omar said,“The reality is when they come for one of us, they’re eventually going to come for all of us.”
She emphatically declared the depicted enforcement tactics, “That is not us,” appealing to a shared sense of American identity and values she believes are being violated.
Proposing Policy: Masks, Healthcare, and Military Spending
Beyond her denunciation of current practices, Omar outlined specific policy proposals.
She reiterated her support for universal healthcare, a cornerstone of the progressive agenda.
Additionally, she advocated for a reduction in military funding, redirecting resources towards domestic priorities.
She called for a “no mask rule” for ICE agents during enforcement operations.
Omar argued that agents operating anonymously, with faces obscured, undermines accountability and transparency, contributing to an environment where alleged abuses like “disappearances” and “abductions” can occur without consequence.
This demand adds a new dimension to the ongoing debate over ICE tactics and oversight.
John Ray is serving his sixth term as the State Representative for District 55 in the Tennessee General Assembly.He and Tamara are the proud parents of John, Finn, Henry. Official portrait.
Comparisons Amplify Tension
Omar was joined at the event by Tennessee State Representative John Ray Clemmons (D-Nashville), whose previous comments amplified the event’s confrontational tone towards federal immigration authorities.
The Daily Wire reported that Clemmons had previously characterized ICE raids conducted in Nashville as “kidnappings” and had controversially compared federal agents to the Ku Klux Klan.
While Clemmons’ specific remarks at the town hall weren’t detailed in the initial reports, his presence alongside Omar reinforced the event’s strong condemnation of ICE and the current administration’s immigration enforcement strategies.
Political Fallout and the Squad’s Stance
Omar’s comments, particularly the “dungeons” accusation and the mask ban proposal, are certain to ignite significant political controversy. As a prominent member of the progressive “Squad” in the U.S. House of Representatives, her statements carry weight and reflect the deep divisions within the Democratic Party and the broader national discourse on immigration.
The demand to ban masks during enforcement operations, in particular, presents a tangible, albeit contentious, policy demand that could gain traction among activists but faces steep opposition from law enforcement advocates citing officer safety.
The event underscores the enduring potency of immigration as a defining and divisive issue in American politics, with Omar positioning herself firmly at the vanguard of progressive resistance to current enforcement paradigms.
Summary
Representative Ilhan Omar, speaking at a Tennessee town hall, accused U.S. authorities of sending migrants to “dungeons” and called for banning masks during ICE enforcement operations. Joined by State Representative John Ray Clemmons, who previously compared ICE to the KKK, Omar denounced recent raids as shocking violations of American values. She also advocated for universal healthcare and reduced military spending, framing harsh immigration tactics as a threat to all citizens. The event drew about 500 attendees.
Tags: Ilhan Omar, ICE, Immigration and Customs Enforcement, U.S. immigration policy, migrant detention, ICE raids, no mask rule, universal healthcare, military spending, The Squad, John Ray Clemmons, Tennessee politics, Antioch, Cane Ridge High School, town hall, progressive politics, human rights, accountability
My First Private Room in New York City was on St. Mark’s Place in the East Village, 1983
New York, N.Y. — In 1983, I moved to 48 St. Mark’s Place as my first foothold in New York City, discovering a street that epitomized American counterculture. From elegant 19th-century residences to punk rock venues, this legendary thoroughfare witnessed the evolution of artistic rebellion, political activism, and cultural transformation that defined modern America.
The Foundation of a Cultural Legend
My first private room in New York City was on St. Mark’s Place in the East Village, above Iglesia Metodista Unida Todaslas Naciones – Church of All Nations, pastored by my college friend, 1983.
In 1983, I arrived at 48 St. Mark’s Place as my first foothold in New York City. This building housed the Iglesia Metodista Unida Todaslas Naciones (Church of All Nations), pastored by my college friend, Rev. Hal.
Originally the First German Methodist Episcopal Church, as carved into the façade, the building had transformed from a private dwelling. I occupied the top floor—a former maid’s room—for $200 per month.
St. Mark’s Place derives its name from the nearby Episcopal St. Mark’s Church in-the-Bowery, New York City’s oldest site of continuous religious practice since the mid-17th century. This church became my spiritual home during my East Village stay.
According to Eric Ferrara, New York City historian and founder of the Lower East Side History Project, St. Mark’s Place evolved from an elegant residential district in the early 19th century to a hub of counterculture and artistic expression in the 20th century.
In the early 1800s, Federal and Greek Revival townhouses attracted wealthy residents. However, by the mid-19th century, German immigrants transformed the area into “Kleindeutschland” (Little Germany), replacing elegant homes with tenement housing and boarding houses.
Allen Ginsberg.
A Constellation of American Cultural Icons
St. Mark’s Place became home or host to an extraordinary collection of American cultural figures who shaped the nation’s artistic and political landscape.
Johnny Rotten of the Sex Pistols was a frequent visitor, though he lived in Chelsea.
Bands including The Fugs, The Grateful Dead, Jefferson Airplane, and the Fleshtones—a garage rock band from Queens that debuted at the East Village‘s CBGB in 1976—performed on this legendary street.
Historical references include activist Emma Goldman, comedian Lenny Bruce, historian Will Durant, and crooner Frank Sinatra.
The Theatre 80 St. Mark’s features a walk-of-fame sidewalk signed by Joan Crawford, Gloria Swanson, Myrna Loy, Kitty Carlisle, and Dom DeLuise.
Abbie Hoffman.
Revolutionary Venues and Artistic Expression
4 St. Mark’s Place, built as a residence for Alexander Hamilton’s son in 1831, evolved into a hotbed of avant-gardeart and countercultural performances. The Bridge Theater pushed boundaries during the Vietnam War era, hosting luminaries such as Yoko Ono.
In 1965, the theater drew official attention for screening “Flaming Creatures,” a controversial film by Jack Smith. The organizer, Jonas Mekas, was arrested, and the film was labeled “obscene” by the court. The following year, controversy erupted when an American flag was burned during a performance, though charges were later dropped.
Keith Haring.
The Modern School occupied 6 St. Mark’s Place in 1911, an educational institution founded on progressive, libertarian principles. The school’s mission emphasized critical thinking, creativity, and social awareness for working-class individuals.
Founders included prominent anarchists such as Emma Goldman, whose activism extended to controversial acts, including suspected involvement in the 1901 assassination attempt on President William McKinley.
Goldman’s advocacy led to her arrest and deportation in 1919 due to her “dangerous” political views.
Philosopher Will Durant, who later became famous for “The Story of Civilization,” served as principal, implementing hands-on, experimental learning approaches that resembled modern democratic education models.
The Saint Marks Baths: A Cultural Landmark
The Saint Marks Baths opened in 1913 at 6 St. Mark’s Place, originally operating as a Victorian-style Turkish bath catering to the neighborhood’s Russian-Jewish immigrant population. By the 1950s, the clientele evolved. During the day, it maintained its traditional role, but by night, it discreetly attracted a growing LGBTQ+ clientele.
By the 1960s, the Saint Marks Baths fully embraced this identity, becoming a space exclusively catering to gay men. In 1979, the bathhouse underwent significant refurbishment and was rebranded as the New Saint Marks Baths, introducing modern amenities and solidifying its place as a premier destination within the LGBTQ+ community.
The bathhouse’s significance extended beyond leisure—it became a cultural landmark of the East Village and a symbol of the sexual liberation movement of the 1970s and early 1980s. However, its legacy was complicated by the AIDS crisis in the mid-1980s, which profoundly reshaped attitudes toward such spaces.
In later decades, the building housed Kim’s Video, a beloved institution for cinephiles specializing in rare and independent films. Founded by Korean immigrant Yongman Kim, it began as a small electronics shop but quickly became known for its video rentals and rare, hard-to-find films.
Comedy and Free Speech: Lenny Bruce’s Legacy
In the 1960s, comedian Lenny Bruce lived at 13 St. Mark’s Place.
Bruce was a cultural icon known for pushing the limits of free speech and challenging conventional comedy standards.
His career was marked by controversy and frequent arrests on obscenity charges.
In Cold War America, Bruce’s bold content led to multiple arrests across the U.S., culminating in a 1964 obscenity trial at the New York State Supreme Court.
Before the trial concluded, Bruce died from a supposed drug overdose—though his enemies were numerous and capable of violence.
In 2003, nearly forty years later, New York State granted him a posthumous pardon, the first of its kind in the state, symbolizing recognition of his fight for free speech.
The Yippie Movement and Political Activism
St. Mark’s Place became a hub for the Yippie movement (Youth International Party), a radical counterculture group that emerged in the late 1960s. Yippies advocated for freedom of expression, anti-war protest, and anti-establishment values, often blending satire with political activism.
Abbie Hoffman.
By 1967, Abbie Hoffman lived at 30 St. Mark’s Place, where he and his first wife, Anita Kushner, launched the Youth International Party.
Dissatisfied with what he viewed as the overly passive nature of the Hippie movement, Hoffman sought to inject more provocative and confrontational energy into activism.
One of Hoffman’s memorable stunts involved planting a tree at the corner of Third Avenue and St. Mark’s Place, causing a traffic jam that lasted hours.
Another famous act took place at the New York Stock Exchange, where Hoffman threw $1,000 in $1 bills onto the trading floor, leading to significantly tightened security protocols.
Hoffman’s activism culminated in the protests at the 1968 Democratic National Convention in Chicago, where he was accused of conspiracy and inciting riots. This led to his trial as part of the Chicago 7. Bill Kunstler, who later worked with our organization “Fundamentalists Anonymous” in the mid-1980s, served as the flamboyant lead defense attorney.
The Dom and Electric Circus: Music Revolution
The popular restaurant known as The Dom became central to the music revolution. In the 1960s, Stanley Tolkin ran Stanley’s Bar downstairs, featuring bands like The Fugs, while the upstairs was rented for psychedelic light shows.
In 1966, Andy Warhol and Paul Morrissey transformed the upstairs space into The Dom nightclub, with The Velvet Underground as the house band. The venue later became Electric Circus, a legendary psychedelic nightclub that hosted major acts like Jimi Hendrix, The Grateful Dead, and Jefferson Airplane.
St. Mark’s Deli, Ray’s Occult Books, and Manic Panic punk boutique. The occult bookstore was fro the film “Ghostbusters.”
Underground Commerce and Counterculture
From 1967 to 1971, Underground Uplift Unlimited (UUU) occupied 28 St. Mark’s Place, becoming a cultural icon of the 1960s counterculture movement.
UUU produced and sold iconic buttons and posters with slogans like “Make Love, Not War” and “More Deviation, Less Population,” becoming the largest seller of protest pins in the country.
In the 1980s, 33 St. Mark’s Place housed Manic Panic, a pioneering punk-rock boutique founded by Bronx-born sisters Tish and Snooky Bellomo.
Former backup singers for Blondie, the sisters opened the store in 1977, making it one of the first punk shops in America. Their neon hair colors and unconventional makeup revolutionized alternative beauty and became cultural touchstones for rockers, goths, and rebels worldwide.
Art Galleries and Cultural Hubs
By the early 1980s, 51 St. Mark’s Place had transformed into 51X, an influential contemporary art gallery that became a key venue in the rise of Urban Contemporary Art, also known as Graffiti Art. The gallery showcased works by Jean-Michel Basquiat, Keith Haring, and even Johnny Rotten of the Sex Pistols.
57 St. Mark’s Place housed Club 57, one of the most famous and influential venues in the city’s counterculture movement. Managed by Anne Magnuson, the club became a hub for art, music, and creative expression, embodying the DIY, anti-pop culture aesthetic of the era.
In the 1950s, poet W.H. Auden lived at 77 St. Mark’s Place, where he wrote much of his later work, including parts of his “Collected Poems.”
Allen Ginsberg – St. Marks Poetry Project, St. Mark’s Episcopal Church, 1977.
Auden moved to the United Statesin 1939, fleeing the rising fascist threat in Europe, and became a naturalized American citizen in 1946.
The Beat Generation was also a regular presence at the Holiday Lounge, with Allen Ginsberg and other members of the Beatnik movement frequenting the establishment during the 1950s and early 1960s.
In the early 20th century, the basement of 77 St. Mark’s Place was home to Sovremenny Mir (“Contemporary World”), a Russian-language, pro-Communist newspaper.
Lev Davidovich Bronstein, better known as Leon Trotsky, worked for the publication during his time in New York in 1917.
Trotsky was a central figure in the Russian Revolution and one of the most iconic revolutionaries of the 20th century.
The Squat Culture and Urban Decay
A couple of blocks from my St. Mark’s Place room, East 8th St. and Ave. D, NYC, 1980. Open air drug market, but everyone fled the camera. Photo credit: Brian Rose / Edward Fausty.
120 St. Mark’s Place was likely the last active squat on the Lower East Side, remaining so until summer 2006, when residents, including the famed “Mosaic Man” Jim Power, were evicted.
I remember frequently seeing Jim building mosaics on lamp post bases in and around St. Marks.
By the 1980s, the East Village—particularly Alphabet City—had become home to over 200 active squats, providing shelter to hundreds of squatters.
This surge in squatting resulted from New York City’s severe economic recession during the late 1970s and early 1980s, which brought the city to the brink of bankruptcy under Mayor Edward Koch’s administration.
By the early 1980s, nearly 30% of Alphabet City was abandoned, with entire blocks left to decay as landlords fled their properties.
Theatre 80 St. Mark’s was owned by the Otway family. Mother and father Howard, Florence ran it initially, then it passed on to their son Lorcan who I dined with on occasion before it closed.
Contemporary Legacy
94 St. Mark’s Place houses Fun City Tattoo & Cappuccino, celebrated as the oldest operating tattoo parlor in New York City, dating back to 1976. It played a significant role in the city’s tattooing renaissance, particularly during the period when tattooing was illegal.
The building at 77 St. Mark’s Place became Theater 80 in the 1960s, producing dance performances, ballets, and musicals. In 1967, it was the venue for the premiere of “You’re a Good Man, Charlie Brown.” Outside the theater, on the sidewalk, is a mini-Off-Broadway Walk of Fame featuring handprints, footprints, and signatures of notable 20th-century actors and actresses.
St. Mark’s Place remains a testament to American cultural evolution, where artistic rebellion, political activism, and social transformation converged to create one of the most significant cultural corridors in U.S. history.
From Emma Goldman’s anarchist activism to Jean-Michel Basquiat’s groundbreaking art, from Lenny Bruce’s fight for free speech to Abbie Hoffman’s theatrical protests, this single street witnessed and nurtured the forces that reshaped American culture.
The legacy of St. Mark’s Place extends far beyond its physical boundaries, representing the ongoing struggle between establishment and counterculture, between conformity and artistic expression, between the past and the future.
As I walked through Alphabet City in January 1983, seeing people burning trash in bins to stay warm, I realized I was witnessing not just urban decay, but the raw material from which American cultural renaissance would emerge.
TAGS: counterculture, East Village, New York City history, St. Mark’s Place, Beat Generation, American cultural evolution, artistic rebellion, political activism, Yippie movement, punk rock, LGBTQ+ history, urban decay, cultural landmarks, Greenwich Village, Lower East Side
Media representations shift as audiences demand authentic portrayals of Asian masculinity and desirability
New York, N.Y. — The Chinese laborers who forged America’s transcontinental railroad through treacherous mountain passes and scorching deserts were anything but the emasculated stereotypes that Hollywood would later perpetuate.
These men possessed the physical strength, mental fortitude, and unwavering determination to accomplish one of the greatest engineering feats in American history. Yet for decades, Western media has systematically stripped Asian men of their inherent masculinity, reducing them to one-dimensional caricatures that bear no resemblance to reality.
This distorted representation has permeated not only mainstream heteronormative culture but also infiltrated LGBTQ+ communities, where Asian men have often been relegated to submissive roles and denied the full spectrum of their sexual identity. The intersection of racism and homophobia has created a particularly challenging landscape for gay Asian men, who must navigate both Western beauty standards and the internal biases within their own communities.
The Historical Emasculation Campaign
Hollywood’s treatment of Asian men has been nothing short of systematic emasculation.
From the early days of cinema, Asian male characters were deliberately crafted to be non-threatening to white audiences.
They appeared as loyal servants, comic relief, or exotic villains—never as romantic leads or objects of desire.
This pattern persisted through decades of filmmaking, creating a cultural narrative that positioned Asian men as inherently undesirable, weak, or feminine.
The Charlie Chan detective series, beginning in the 1930s, featured Swedish actor Warner Oland portraying the Chinese-Hawaiian detective as a wise but subservient figure who spoke in broken English despite being highly intelligent.
Meanwhile, Fu Manchu represented the “yellow peril” stereotype—an exotic, scheming villain who was dangerous but ultimately defeatable by white heroes.
Long Duk Dong from “Sixteen Candles” (1984) exemplified the stereotype of Asian men as sexually immature and socially inept.
Every single Asian dude who went to high school or junior high during the era of John Hughes movies was called ‘Donger,'” according to Martin Wong of Giant Robot magazine.
Japanese-American actor Gedde Watanabe had a prominent role in Sixteen Candles. He made his film debut playing ‘Long Duk Dong,’ a Chinese foreign exchange student. While the character was very much a stereotype, Watanabe says he accepted the role because of the scarcity of parts available to Asian actors at the time. Photo credit: Universal Pictures.
In 1972 a new, high-concept adventure-action western was introduced to TV viewers. Titled “Kung Fu,” it starred actor David Carradine as the Eurasian (Caucasian father, Chinese mother) Shaolin monk Kwai Chang Caine. Although he was Irish American, it was a start.
Across many of these Hollywood films, Asian males were played as scheming, weak, ignorant, and undesirable, while they appeared as loyal servants, comic relief, or exotic villains—never as romantic leads or objects of desire.
This pattern persisted through decades of filmmaking, creating a cultural narrative that positioned Asian men as inherently undesirable, weak, or feminine.
The entertainment industry’s stereotyping has had profound real-world consequences.
Dating apps reveal stark disparities in match rates, with Asian men consistently receiving fewer responses than their counterparts of other ethnicities.
These digital platforms have become modern mirrors reflecting society’s internalized biases, where centuries of media conditioning continue to shape romantic preferences and sexual attraction.
Cultural Resistance and Personal Testimony
Within gay culture, the impact of these stereotypes has been particularly acute. Many Asian men report feeling pressured to conform to expectations of submissiveness or have experienced fetishization rather than genuine attraction.
The gay community, which should theoretically embrace diversity, has often reflected broader societal prejudices in its treatment of Asian men.
Personal relationships provide powerful testimony to the disconnect between stereotype and reality. Long-term partnerships with men from the Philippines, Singapore, Indonesia, and Thailand reveal the complexity and strength that Western media has consistently ignored.
These relationships demonstrate that Asian men possess the full range of human emotion, sexual expression, and relationship dynamics that have been denied to them in popular culture.
Actor, writer and producer Chris Pang is of Taiwanese/Cantonese descent from Melbourne. He has appeared in Netflix’s Marco Polo and the upcoming Amazon series On the Spectrum, as well as feature films like Crazy Rich Asians (2018) and Charlie’s Angels (2019).
Bhutanese actor Jamyang Jamtsho Wangchuk, who starred in ‘Seven Years in Tibet’ in his youth. Today, has an entirely different image.
The Tide Begins to Turn
Recent years have witnessed a gradual but significant shift in representation.
Broadway productions have begun casting Asian men in leading roles that showcase their range and appeal.
Shows like “The King and I” have been reimagined with nuanced portrayals that move beyond orientalist fantasies, although of course Yul Brenner was not even Asian.
Hollywood has slowly begun to recognize the market demand for authentic Asian male characters who embody strength, complexity, and desirability.
The success of films featuring Asian male leads has proven that audiences are ready to embrace more diverse representations of masculinity.
These productions have challenged the notion that Asian men cannot carry romantic storylines or command screen presence.
Social media has amplified Asian male voices, allowing them to control their own narratives and showcase their authentic selves beyond the confines of traditional media gatekeepers.
The Digital Revolution and Authentic Voices
Simu Liu is one of Canada’s leading Asian men on screen, whether with Marvel or as Jung in the hit CBC series, “Kim’s Convenience.”
Social media platforms have become crucial battlegrounds for challenging stereotypes.
Asian content creators have used these spaces to showcase their personalities, talents, and perspectives without the filter of Western media interpretation.
YouTube, Instagram, and TikTok have enabled Asian men to present themselves as multifaceted individuals rather than one-dimensional characters.
The rise of K-pop and Asian entertainment has fundamentally altered global perceptions of Asian masculinity.
Male performers from South Korea, Japan, and other Asian nations have gained international followings, proving that Asian men can indeed be objects of desire and admiration.
This cultural export has helped normalize the idea of Asian men as attractive, talented, and worthy of romantic attention.
Actor B.D. Wong can play male, female, or anything in between. Starting with “M. Butterfly” on Broadway to “Mr. Robot” on Netflix. He is known for “Law & Order,” “Jurassic Park,” “Seven Years in Tibet,” as well as the voice of Captain Li Shang in the Disney animated film “Mulan.” Photo credit: B.D. Wong/Facebook (2019).
Beyond the Binary: Complex Masculinity
Daniel Dae Kim stars as Dr Jackson Han in The Good Doctor (Image: ABC)
The conversation around Asian male representation extends beyond simple visibility to encompass the full spectrum of masculine expression.
Traditional Western concepts of masculinity—often rooted in physical dominance and emotional stoicism—have proven inadequate for capturing the diverse ways that Asian cultures conceptualize strength and leadership.
Asian masculinity encompasses emotional intelligence, intellectual prowess, artistic sensitivity, and spiritual depth alongside physical capabilities.
These multifaceted expressions of masculine identity offer richer, more nuanced portrayals that benefit not only Asian men but expand societal understanding of what it means to be masculine in the modern world.
Rick Yune has been a pioneer of Asian visibility in American mainstream media, as the first Asian face of both Versace and Ralph Lauren, and then in series such as Netflix’s “Marco Polo.” Born in D.C. of Korean heritage, this actor, screenwriter, producer, and martial artist has played roles in movies such as Snow Falling on Cedars, as well as several “Fast & Furious” films as well as the James Bond movie Die Another Day. In 1994, he received a degree in finance from the University of Pennsylvania’s Wharton School. Photo credit: Netflix.
The Path Forward
The transformation of Asian male representation requires continued vigilance and active participation from both creators and consumers. Media literacy becomes crucial in recognizing and challenging persistent stereotypes.
Supporting films, television shows, and other content that present complex Asian male characters sends powerful market signals to content creators.
Educational initiatives within LGBTQ+ communities can help address internalized biases and create more inclusive spaces. Dating platforms and social applications must examine their algorithms and design choices to ensure they don’t perpetuate discriminatory patterns.
The railroad builders of the 19th century possessed the same strength, determination, and complexity that characterizes Asian men today.
It is time for popular culture to catch up with reality and recognize the full humanity of Asian men—not as stereotypes to be overcome, but as complete individuals deserving of respect, desire, and authentic representation.
Asian men have been historically emasculated in Western media, appearing as weak stereotypes rather than complex individuals. This misrepresentation has affected dating, relationships, and self-perception within both straight and gay communities. However, recent years show progress through better film and Broadway casting, social media empowerment, and global influence of Asian entertainment. The article argues for continued efforts to challenge stereotypes and embrace authentic portrayals of Asian masculinity, moving beyond limiting Western beauty standards and cultural biases.
TAGS: asian male, representation, stereotypes, hollywood, media, masculinity, gay culture, lgbtq, diversity, authentic portrayal, cultural change, social media, entertainment industry, racial bias, dating culture
New York, N.Y. — The Tisch School of the Arts, nestled in the heart of New York City, has cemented its reputation as a launchpad for some of the most influential figures in film, television, and theater.
Tisch alumni have collectively garnered dozens of Academy Awards, Emmy Awards, and Tony Awards, underscoring the school’s role as a crucible for artistic excellence. From Woody Allen to Lady Gaga, the school’s graduates have not only achieved commercial success but also pushed creative boundaries, influencing generations.
Woody Allen.
A Legacy of Award-Winning Talent
The list of Tisch alumni reads like a who’s who of the entertainment world.
Woody Allen, a director and writer, transformed cinema with films like Annie Hall (1978) and Midnight in Paris (2012), earning multiple Academy Awards.
Similarly, Ang Lee, with his M.F.A. from Tisch, captivated audiences with Brokeback Mountain (2006) and Life of Pi (2013), both securing Oscars for Best Director.
Ang Lee.
The Hollywood Reporter notes that Tisch’s rigorous programs, blending practical training with theoretical insight, foster such groundbreaking work.
Lady Gaga, a B.F.A. graduate, transitioned from pop stardom to critically acclaimed acting, winning an Academy Award for A Star Is Born(2019).
Her journey exemplifies Tisch’s ability to cultivate versatile artists.
Likewise, Whoopi Goldberg (Ghost, 1991) and Anne Hathaway (Les Misérables, 2013) credit their Tisch training for honing their craft, enabling them to deliver performances that resonate deeply with audiences.
Neil Simon.
Beyond the Silver Screen
Tisch’s impact extends beyond film to television and theater. Rachel Brosnahan, a 2012 B.F.A. graduate, earned an Emmy Award for her role in The Marvelous Mrs. Maisel (2018), showcasing the school’s influence on modern television.
Debra Messing’s Emmy-winning performance in Will and Grace (2003) further highlights Tisch’s role in shaping comedic talent.
In theater, Tony Kushner’s Angels in America (2004) and Neil Simon’s The Odd Couple (1965) earned critical acclaim, with both playwrights drawing on their Tisch education to craft narratives that challenge societal norms.
Spike Lee.
The Hollywood Reporter emphasizes that Tisch’s interdisciplinary approach—combining acting, directing, and writing—allows graduates to excel across mediums.
Spike Lee, a TischM.F.A. graduate, exemplifies this versatility.
His Academy Award-winning film BlacKKKlansman (2019) blends sharp social commentary with cinematic innovation, a hallmark of Tisch’s training.
A Hub for Diverse Voices
Tisch’s alumni also reflect a commitment to diversity and innovation. Angelina Jolie, who studied at Tisch in 1997, won an Academy Award forGirl, Interrupted(2000) and has since become a global advocate for humanitarian causes.
Angelina Jolie.
Daniel Dae Kim, a 1996 M.F.A. graduate, brought nuanced performances to Lost and Hawaii Five-0, amplifying Asian American representation in media.
The Hollywood Reporterpraises Tisch for fostering an environment where diverse voices thrive, preparing students to navigate an evolving industry.
Sarah Kate Silverman and Billy Crystal, both Tisch alumni, have used their comedic platforms to address social issues.
Further, Perez Hilton, a 2000 B.F.A. graduate, redefined celebrity journalism through his influential blog.
These alumni demonstrate Tisch’s ability to produce artists who not only entertain but also provoke thought and inspire change.
Preparing for a Dynamic Industry
The Tisch School of the Arts equips students with the tools to adapt to a rapidly changing entertainment landscape. As The Hollywood Reporter notes, the school’s emphasis on collaboration and experimentation prepares graduates for multifaceted careers.
James Franco, a 2011 M.F.A. graduate, has balanced acting, directing, and writing, with projects like 127 Hours showcasing his range. Similarly, Jeffrey Katzenberg, a producer and co-founder of DreamWorks, leveraged his Tisch coursework to build an animation empire with films like Shrek.
Tisch’s faculty, comprised of industry veterans, provides hands-on mentorship, ensuring students are ready for real-world challenges. Oliver Stone, a 1971 B.F.A. graduate, credits the school’s intensive workshops for his success in films like Platoon (1987). This practical training, combined with New York City’s vibrant cultural scene, creates an unparalleled environment for aspiring artists.
A Lasting Impact
The influence of Tisch alumni extends far beyond individual accolades. The Hollywood Reporter underscores that the school’s graduates are shaping the future of entertainment, from Adam Sandler’s comedic blockbusters to John Waters’s subversive cult classics.
Even in politics, Chris Sununu, the 82nd Governor of New Hampshire, draws on his Tisch education to communicate effectively with constituents, illustrating the school’s broad impact.
As Tisch continues to evolve, its commitment to fostering creativity remains unwavering. The school’s alumni network, spanning decades and disciplines, serves as a testament to its enduring legacy. Whether through Academy Awards, Emmy Awards, or cultural innovation, Tisch graduates continue to redefine what’s possible in the arts.
International Criminal Court Expected to Review Case Against Former Leader
New York, N.Y. — Bangladesh’s International Crimes Tribunal has formally indicted ousted Prime Minister Sheikh Hasina on charges of crimes against humanity, marking a pivotal moment in the country’s pursuit of justice following the deadly protests that toppled her government in 2024.
Tribunal Charges Former Leader with Systematic Violence
The International Crimes Tribunal in Dhaka issued five separate charges against Hasina on July 10, 2025, accusing her of orchestrating what prosecutors describe as systematic violence against peaceful protesters.
The tribunal’s investigation centers on the brutal suppression of demonstrations that erupted between July and August 2024, ultimately leading to her removal from power.
According to the United Nations report cited in the indictment, the government’s response to the protests resulted in approximately 1,400 deaths, making it one of the deadliest episodes of civil unrest in Bangladesh’s modern history.
The charges paint a picture of deliberate and coordinated violence designed to crush dissent and maintain authoritarian control.
Chief prosecutor Muhammad Taj Uddin told the tribunal that Hasina acted as the “mastermind” behind a campaign of terror that targeted students, opposition activists, and ordinary citizens who dared to challenge her increasingly authoritarian rule.
The indictment alleges that she personally authorized the use of excessive force against protesters, transforming what began as peaceful demonstrations into a bloodbath.
Audio Evidence Reveals Alleged Orders for Lethal Force
Perhaps most damning among the evidence presented is a series of audio recordings analyzed by the BBC, which appear to capture Hasina ordering security forces to “use lethal weapons” against protesters. These recordings, if authenticated, would provide direct evidence of her personal involvement in escalating the violence that claimed so many lives.
The Awami League, Hasina’s political party, has vehemently denied the authenticity of these recordings, calling them fabricated evidence designed to justify what they characterize as an illegal coup. Party spokesperson Obaidul Quader dismissed the tribunal proceedings as a “kangaroo court” orchestrated by political opponents seeking revenge rather than justice.
However, human rights organizations have welcomed the indictment as a crucial step toward accountability. Amnesty International and Human Rights Watch have documented extensive evidence of extrajudicial killings, torture, and forced disappearances during the protests, painting a picture of state-sponsored violence that extended far beyond crowd control.
International Community Divided on Response
The international response to Hasina’s indictment has revealed deep divisions within the global community. While European Union officials have praised the tribunal’s work as essential for Bangladesh’s democratic transition, other nations have expressed concerns about the proceedings’ legitimacy and potential for political manipulation.
The Economistand other international publications have called for interim leader Muhammad Yunus to allow the Awami League to participate in future elections, arguing that excluding major political parties could undermine democratic legitimacy. However, many Bangladeshi civil society organizations argue that the party’s systematic corruption and violence make such participation impossible without comprehensive reforms.
Dr. Yunus, the Nobel Prize-winning economist who assumed leadership after Hasina’s ouster, has maintained that any political party’s future participation depends on its willingness to account for past crimes and commit to democratic principles. This position has drawn both praise for its principled stance and criticism for potentially deepening political divisions.
Broader Implications for Regional Stability
The indictment’s implications extend far beyond Bangladesh’s borders, potentially affecting regional stability and international relations in South Asia. Hasina’s government had maintained close ties with India, and her removal has already altered the geopolitical dynamics in a region where China and India compete for influence.
The tribunal’s work also sets a precedent for accountability in a region where authoritarian leaders have long operated with impunity. The proceedings are being closely watched by civil society organizations across South Asia, who see them as a potential model for addressing similar crimes in other countries.
Path Forward Remains Uncertain
As Bangladesh continues its difficult transition toward democracy, the Hasina indictment represents both progress and new challenges. While the charges demonstrate the interim government’s commitment to justice, they also risk deepening political polarization and potentially destabilizing the country’s fragile democratic institutions.
The international community’s role in supporting this transition will be crucial in determining whether Bangladesh can successfully overcome its authoritarian past and build a more democratic future. The tribunal’s work, while controversial, represents an important step toward ensuring that those responsible for mass atrocities are held accountable for their actions.
The coming months will test whether Bangladesh can balance the demands of justice with the need for national reconciliation, a challenge that will ultimately determine the success of its democratic transition and the prospects for lasting peace and stability.
Birds of a feather? Ousted Prime Minister Sheikh Hasina of Bangladesh and Prime Minister Narendra Modi of India.
TAGS:bangladesh, sheikh hasina, crimes against humanity, international tribunal, human rights, democracy, accountability, protests, south asia, political violence, muhammad yunus, awami league, international law, justice system, authoritarianism
Bangladesh’s tribunal has indicted former Prime Minister Sheikh Hasina for crimes against humanity related to the suppression of 2024 protests that killed up to 1,400 people. The charges include being the mastermind behind mass killings and injuries to civilians. BBC analysis of audio recordings suggests Hasina ordered security forces to use lethal weapons against protesters, though her party denies this. The indictment represents a significant step toward accountability for the violent crackdown on demonstrators.
Two visionary artists, separated by decades, unite in a Seoul exhibition exploring their shared impact on global street art culture.
New York, N.Y. — When it comes to the world of street art, few names resonate as powerfully as Keith Haring and Banksy. Haring, a Pennsylvania-born artist, rose to prominence in 1980s New York, transforming the city’s subways into vibrant canvases.
Banksy, the enigmatic figure from Bristol, England, remains the most famous living street artist, his identity still shrouded in secrecy.
Now, the exhibition “Love in Paradise: Banksy and Keith Haring” at Paradise Art Space in Seoul brings these two creative forces together in a compelling dialogue that crosses generations and continents.
Rebels With a Cause: Haring and Banksy’s Parallel Paths
“Both Haring and Banksy elevated themselves out of the clandestine subculture of street art, and into the public consciousness using the most visible public spaces to reach their audience,” notes the exhibition’s feature article.
For Haring, that meant New York’s “grungy underground subway billboards,” while Banksy’s work has appeared on “the sides of houses, shops and offices from Bristol to Birmingham.”
Outlaws and Outsiders: Defining a Movement
What unites these artists, beyond their chosen medium, is a “certain outsider swagger and Jesse James-style outlaw appeal.”
They have each operated with little regard for the traditional art world’s rules. As one critic observed, Banksy’s “chief achievement… was finding a way to operate so successfully outside the art world.”
The same could be said of Haring, who, like Banksy, cultivated a following that “sidesteps, or perhaps transcends, a traditional art audience.”
Banksy himself once wrote, “The quickest way to the top of your business is to turn it upside down.” This philosophy is evident in both artists’ approach to their work and careers, challenging conventions and redefining what it means to be a public artist.
Visual Language and Lasting Influence
In the secretive world of street art, “the borrowing of visual language, establishing open alliances and paying homages are the norm.” Haring’s bold, signature motifs—radiant babies, barking dogs, pyramids, crosses—have become touchpoints as familiar as Banksy’s stenciled children, rats, monkeys, and police figures.
The article highlights Banksy’s 2009 piece “Choose Your Weapon,” which “features a classic Banksy stencil incorporating the iconic Haring dog motif,” a direct nod to Haring’s enduring influence.
Both artists have transformed painted symbols into “street icons, an urban oasis in the midst of decay, poverty and other pervasive tragedies.” Their work is imbued with “a sense of urgency and purpose,” confronting social injustices head-on.
Social Commentary and Shared Themes
Haring and Banksy are united by their commitment to social engagement.Haring’s art was shaped by the AIDS epidemic and his advocacy for gay rights, nuclear disarmament, and anti-apartheid causes.
Banksy, meanwhile, tackles contemporary issues such as social unrest, authority, religious differences, and violence. Works like “Love is in the Air” (2006) and “Rude Copper” (2003) exemplify his sharp, often satirical commentary.
Yet, as the Sotheby’s article notes, “his sense of comedy means that his message never becomes too dogmatic or bombastic.” Even in moments of self-reflection, Banksy maintains a wry humor.
Describing his 2006 Los Angeles exhibition “Barely Legal,” he quipped: “Some of the paintings have taken literally days to make. Essentially, it’s about what a horrible place the world is, how unjust and cruel and pointless life is, and ways to avoid thinking about all that.”
Tseng Kwong Chi. SELF PORTRAIT WITH KEITH HARING. Gelatin Silver print, c. 1983. American, born Hong Kong, 1950-1990, was a photographer who was active in New York during the 1980s, recording portraits and activities of people in the arts of that period.
Collaboration, Community, and Celebrity
Connection and collaboration are central to both artists’ legacies.
Haring’s circle included luminaries like Jean-Michel Basquiat and Tseng Kwong Chi, and he mentored young artists such as LAII (Angel Ortiz).
He also worked with celebrities like Madonna, Grace Jones, and Vivienne Westwood.
Banksy, for their part, has collaborated with the British band Blur, provided safe spaces for young graffiti artists, and designed a Union Jack vest for musician Stormzy.
Performance, Transience, and Power of Art
Art’s transience is a recurring theme for both artists.
Haring once painted dancer Bill T. Jones for his first London show, while Banksy famously staged a “coup de théâtre” at a Sotheby’s auction, shredding his artwork “Girl with Balloon” live as the hammer fell.
Sotheby’s described the resulting piece, “Girl without Balloon,” as “the first artwork in history to have been created live during an auction.”
Universal Motifs, Enduring Legacy
Decades after Haring’s untimely death, his legacy continues to complement and challenge Banksy’s. Both have established “universally understood motifs to explore themes of contemporary interest.” Their art remains “an urban oasis,” offering both critique and hope in the face of adversity.
Actress calls president “mentally unfit to serve” while making inflammatory claims about military deployment
These comments contribute to ongoing debates about the role of celebrity voices in political discourse and the impact of social media on public political conversation.
New York, N.Y. –– Bette Midler launched a blistering attack against President Donald Trump on social media today, questioning his mental fitness for office and making inflammatory claims about military deployment against American citizens.
The actress and singer, posting to her 1.5 million Instagram followers, accused the president of being “mentally unfit to serve.” MAGA critics, including Breitbart, claim she is spreading ‘fearmongering propaganda about immigration enforcement.’
The Broadway and Disney veteran’s latest attack comes amid heightened political tensions as the Trump administration implements its immigration agenda through U.S. Immigration and Customs Enforcement (ICE) operations across the country. Midler’s post represents the latest in a series of celebrity scathing criticisms targeting the current administration’s policies and leadership style.
Mental Fitness Questions Raised
Midler’s social media tirade began with pointed criticism of Trump’s mental capacity, directly challenging his fitness for the presidency.
“Trump is investigating whether Joe Biden was incapacitated when he signed clemency orders with an auto pen, and pardoned many before he left office,” the actress wrote.
“Trump has a lot of gall, seeing as how HE is mentally unfit to serve.”
The actress’s comments reference ongoing investigations into the former president’s final acts in office, including controversial pardons issued during the transition period.
These investigations have become a focal point for the current administration as it seeks to review actions taken by the previous White House occupant.
Midler’s accusations extend beyond questions of mental fitness to more serious allegations about military deployment.
She posted that Trump has ordered troops to “gas their own citizens and drag them to gulags,” language that evokes historical references to authoritarian regimes and concentration camps.
Immigration Enforcement Criticism
The entertainment industry figure’s comments reference current ICE operations targeting undocumented immigrants across various U.S. cities. These enforcement actions, conducted by both federal immigration authorities and U.S. military troops, have drawn criticism from various quarters for their scope and implementation.
Midler’s characterization of these operations as involving military forces represents a significant escalation in rhetoric. The actress’s use of terms like “gulags” draws historical parallels to Soviet-era forced labor camps, suggesting systematic persecution of American citizens.
Citizenship Threats And Commercial Criticism
The Hollywood performer also accused the president of threatening “an entertainer with loss of citizenship because he doesn’t like the way she speaks of him.”
This reference relates to recent tensions between the administration and various entertainment industry figures who have been vocal critics of current policies, especially Rosie O’Donnell.
Midler extended her criticism to commercial matters, questioning Trump’s business practices while in office.
“What President of the U.S. has EVER sold crummy made-in-China merch,” she wrote, correctly noting that much of the official Make America Great Again (“MAGA”) merchandise is manufactured overseas rather than domestically.
The actress also referenced Tesla C.E.O. Elon Musk, noting that Trump “shilled for carmakers on the grounds of the White House.”
This comment alludes to Trump spotlighting Tesla on the front lawn of the White House followed by the recent falling out between the president and the tech billionaire over disagreements regarding legislative priorities, specifically what has been grossly termed the “Big Beautiful Bill.”
Trump has since suggested that Elon Musk could suffer the loss of his citizenshipif he displeased the president, such as creating the “American Party” as a third party.
Pattern Of Celebrity Opposition
This latest outburst represents a continuation of Midler’s long-standing and principled opposition to the Trump administration.
The actress has previously made popular statements about political developments, including a suggestion last year that she might “drink Drano” if Trump won the election.
Her comments reflect broader tensions within the entertainment industry, where many prominent figures have become increasingly vocal about their political opposition to current policies.
This celebrity activism has become a defining feature of the current political landscape, with social media platforms serving as primary venues for public criticism.
As one of the world’s most beloved entertainers, Bette Midler’s expansive body of work has spanned nearly six decades across different genres, eras, and media.
One of the best-selling female singers, her albums have sold over thirty million copies worldwide.
She has been recognized with four Grammy Awards, two Academy Award nominations, three Emmy Awards, two Tony Awards, three Golden Globe Awards, and nine American Comedy Awards.
Political Implications
Midler’s powerful critique comes at a time when political rhetoric has reached particularly heated levels.
Her accusations of military deployment against citizens and references to historical authoritarian practices represent an escalation in the type of criticism being leveled against the current administration.
The actress concluded her post with a sweeping condemnation of the president’s impact on American institutions.
“He has soiled and stained the office of what was formerly the greatest country in the world,” she wrote, noting that Trump’s presidency has fundamentally damaged America’s global standing and domestic institutions.
These comments contribute to ongoing debates about the role of celebrity voices in political discourse and the impact of social media on public political conversation.
As the current administration continues implementing its policy agenda, such criticism from high-profile entertainment figures appears likely to continue influencing public discourse.
Summary
Broadway star Bette Midler launched a scathing social media attack against President Trump, calling him “mentally unfit to serve” and making inflammatory claims about military deployment against American citizens. The actress accused the president of ordering troops to “gas citizens and drag them to gulags” while criticizing his business practices and relationship with tech billionaire Elon Musk. Her comments represent the latest in ongoing celebrity opposition to the current administration’s policies and leadership style.
TAGS: Bette Midler, Donald Trump, celebrity criticism, political activism, social media,MAGA, immigration enforcement, Hollywood politics, presidential fitness, entertainment industry
A witness recalls the vibrant intersection of art, activism, and romance in 1980s New York
New York, N.Y. – The black paper covering expired advertisements in the subway tunnels became Keith Haring’s canvas, transforming the underground arteries of New York City into galleries of hope and defiance.
When I lived on St. Mark’s Place in 1984, I would frequently see Keith Haring chalking on the black paper used to cover old ads in the NYC subway, here at Astor Place about 1984.
In 1984, these ephemeral chalk drawings were more than artistic expressions—they were declarations of identity in a city where art, politics, and personal liberation collided daily.
The Underground Canvas Revolution
Walking through Astor Place station in 1984, commuters would encounter Haring’s distinctive radiant babies, barking dogs, and dancing figures emerging from the darkness.
These weren’t sanctioned murals but spontaneous acts of creative rebellion.
The young artist from Pennsylvania had found his voice in the subway system, creating what he called “subway drawings”—works that would reach millions of New Yorkers before being inevitably covered by new advertisements.
The frequency of these appearances revealed Haring’s prolific nature and his commitment to making art accessible.
Unlike gallery pieces that required entrance fees and cultural capital, his subway works democratized art, bringing it directly to working-class commuters, students, and tourists navigating the city’s underground maze.
Keith Haring painting for Grace Jones’s New Year’s Eve concert at Roseland Ballroom in New York City on December 31, 1987.
Factory Nights and Artistic Encounters
The East Village in the mid-1980s pulsed with creative energy, and The Factory served as a gravitational center for artists, musicians, and cultural figures. Attending a gathering there in spring 1984 with partner Richard Yao and Hong Kong designer Jonny Fu offered a glimpse into this rarefied world where art and celebrity intersected.
Andy Warhol’s presence at these gatherings was notable for its understated quality. The artist who had revolutionized pop art appeared almost mundane in person—a reminder that transformative cultural figures often possess quiet, observational natures that belie their public impact.
His tendency to appear briefly before retreating to private spaces suggested someone who preferred watching to performing, despite being at the center of New York’s art world.
Jean-Michel Basquiat’s presence added another layer to these gatherings. The young artist’s reputation for intensity and artistic brilliance preceded him, creating an aura that could be both magnetic and intimidating.
His work was already challenging conventional boundaries between high and low culture, street art and gallery art, much like Haring’s subway interventions.
Love in the Time of AIDS
The 1986 photograph of Keith Haring and Juan Rivera by Andy Warhol captures more than a romantic moment—it documents a relationship that embodied the complex intersection of love, art, and activism during the AIDS crisis.
Their connection, though brief and complicated, represented the broader struggle of L.G.B.T.Q. individuals navigating identity and relationships during a period of unprecedented health crisis and social stigma.
Haring’s relationship with Rivera informed his increasingly political artwork. As the AIDS epidemic devastated the gay community, Haring transformed his accessible visual language into a tool for advocacy.
His later works directly addressed safer sex, H.I.V. prevention, and the urgent need for medical research and social support.
Art as Activism
The personal became political in Haring’s work as he witnessed friends and lovers succumb to AIDS-related complications.
His art evolved from joyful celebration to urgent messaging, maintaining its accessibility while addressing life-and-death issues.
The same radiant babies that once simply celebrated life now appeared in contexts warning about unprotected sex and promoting H.I.V. awareness.
This transformation reflected a broader shift in 1980s art, where creators increasingly understood their work as platforms for social change.
Haring’s subway drawings had always been political in their democratic accessibility, but his later pieces became explicitly activist, using his established visual vocabulary to save lives.
Legacy of Love and Loss
Haring’s death from AIDS-related complications in 1990 at age 31 marked the end of a brief but transformative career.
Rivera’s death a few years later in Spanish Harlem represented another casualty of the epidemic that claimed countless lives, particularly among marginalized communities.
Their story reflects the broader tragedy of an entire generation of artists, activists, and lovers lost to a disease that the government initially ignored.
Yet Haring’s legacy extends beyond tragedy. His work demonstrated how art could serve simultaneously as personal expression, political statement, and public service.
The subway drawings that once decorated Astor Place station walls continue to influence contemporary artists who seek to make their work accessible and socially relevant.
The 1984 encounters with Haring, Warhol, and Basquiat in East Village venues now seem like glimpses of a cultural moment that was both ending and beginning.
These artists were creating new forms of expression while facing unprecedented challenges, their work serving as both documentation and resistance.
Mural in Harlem titled “Crack is Wack,’ during the New York City crack epidemic (1986).
Summary
In 1984 New York, Keith Haring transformed subway stations into galleries while navigating love and activism. His relationship with Juan Rivera, captured in an Andy Warhol photograph, reflected the intersection of personal and political during the AIDS crisis. Both artists died young, leaving behind revolutionary art that challenged boundaries between high culture and street expression.
TAGS: Keith Haring, Juan Rivera, Andy Warhol, subway art, East Village, 1980s New York, AIDS activism, Jean-Michel Basquiat, LGBTQ history, pop art, street art, The Factory, Astor Place, art and politics
A Nostalgic Journey Through My Hometown’s Charm and Legacy
Marietta, Ohio, a picturesque town at the confluence of the Muskingum and Ohio Rivers, blends natural beauty with rich history. From its brick-laden streets to historic landmarks like Marietta College and the Castle, this county seat offers a unique glimpse into small-town America. Join me on a personal tour of my high school hometown, where rivers, bridges, and memories converge.
New York, N.Y. — Growing up with divorced parents meant I called multiple places home, but Marietta, Ohio, holds a special place in my heart. While Oxford, Ohio, boasted sophistication with its university vibe, Marietta captivated me with its rolling hills, cobblestone-like brick streets, and the serene meeting of two rivers—the Muskingum River and the Ohio River.
This county seat of Washington County is more than just a dot on the map; it’s a tapestry of history, community, and personal milestones. Let me take you on a tour of the town where I navigated my teenage years, attended high school, and discovered the meaning of “confluence.”
A Town Shaped by Rivers
In New York City, where I’ve lived for the past 25 years on Roosevelt Island, we talk about “estuaries”—where rivers meet the sea. In Marietta, the key word is “confluence.”
The town was founded at the precise point where the Muskingum flows into the Ohio, a strategic location chosen with intent.
This land, originally inhabited by Native Americans, was claimed through a design approved by General Washington himself, marking the area’s significance in early American history (In fact, there is a plaque opposite the New York Stock Exchange on Wall Street commemorating Marietta!).
The confluence isn’t just geographical; it’s a metaphor for how Marietta blends cultures, histories, and natural beauty.
If you stand near the three bridges spanning the Muskingum, you might glimpse my childhood home on Riverside Lane, a modest brick house perched just past the river’s bend, overlooking the water.
The Ohio River, flowing at the town’s base, connects Marietta to West Virginia via a modern bridge. As a teenager, I’d pedal my ten-speed bike across that bridge for 100-mile “century rides” on weekends—no helmet in those days, just the wind in my hair and the open road ahead. Those rides were my escape, a way to explore the rolling hills and quiet roads of the region.
The Heart of Marietta: Its College and Community
At the core of Marietta’s identity is Marietta College, a gem of Washington County. This liberal arts institution has long been a beacon of learning and leadership.
For a decade, my organization, the J. Luce Foundation, partnered with the college’s Leadership Center to foster community engagement and youth development. The collaboration was meaningful, though it ended after the center’s director passed away—a loss felt deeply by the community.
The college remains a cornerstone, drawing students and visitors to a town that thrives on its academic and cultural contributions.
Marietta’s charm extends beyond the campus. The town was once dubbed the “Brick Capital of the World” due to its abundant clay deposits and the need for bricks as ballast for barges navigating the rivers. Stamped with “Marietta Ohio,” these bricks pave streets throughout the city, giving it a distinctive, historic feel. Walking those streets as a teen, I felt connected to a past where river commerce shaped the town’s fortunes.
A River’s Power and a Town’s Resilience
The rivers that define Marietta also challenge it. When I was young, the Ohio and Muskingum frequently overflowed, flooding the town’s streets.
The Marietta Times, our local newspaper, often featured dramatic photos of boats drifting down Front Street during these floods.
These events were both disruptive and oddly unifying, as the community rallied to clean up and rebuild. The floods taught me resilience—how a town could face nature’s unpredictability and come back stronger.
My first job, at an antique store across from the Lafayette Hotel at the rivers’ confluence, was a crash course in history and human nature.
I learned to appraise old treasures—furniture, jewelry, and curios—while observing the quirks of customers who wandered in from the hotel or off the street. That job, right at the heart of Marietta, opened my eyes to the value of stories embedded in objects and the people who cherish them.
Memories and Mentors: A Full-Circle Moment
One of my most cherished memories involves Peter Yarrow, a mentor and folk music legend from Peter, Paul and Mary. In a full-circle moment, Peter joined me in Marietta for a benefit concert supporting Orphans International Worldwide, another family charity.
We flew from New York through Washington, D.C., and into West Virginia, then drove to Marietta. Standing in front of that same antique store where I’d worked as a teen, we posed for a photo—a snapshot of my past and present converging.
That moment encapsulated how Marietta, though small, has always been a place where significant memories are made.
Marietta’s historic homes add to its allure. One, known simply as “the Castle,” loomed large in my childhood imagination. Its Gothic architecture intimidated me, and I half-believed it was haunted. Spoiler: it’s not! Today, it stands as a museum, preserving Marietta’s heritage and welcoming visitors to explore its storied rooms. The Castle, like much of Marietta, is a reminder that history is alive, not just in museums but in the streets and homes we pass every day.
Why Marietta Matters
Marietta, Ohio, isn’t just a place I called home—it’s a microcosm of small-town America, where history, nature, and community intersect. Its rivers shape its geography and its character, drawing people together in times of celebration and challenge.
From the brick streets to Marietta College, from the Lafayette Hotel to the stories embedded in places like the Castle, this town is a testament to resilience and connection.
For those who’ve moved often, like I did, home can feel elusive. Marietta gave me roots, even if they were temporary. It taught me to appreciate the beauty of a place not for its size but for its spirit.
Whether you’re biking across the Ohio River, strolling past historic homes, or standing at the confluence of two rivers, Marietta invites you to pause and reflect on what makes a place home.
In Marietta, Ohio, rivers and history converge to create a timeless hometown. From brick streets to Marietta College, this Washington County gem blends natural beauty with small-town charm. Join me on a nostalgic tour of my high school days, where century bike rides, antique store lessons, and the iconic Castle shaped my memories. Discover why Marietta’s confluence of rivers and stories makes it unforgettable.
Hong Kong Designer Showcases Contemporary Aesthetic During Major Fashion Event
New York, N.Y. – The fashion world turned its attention to Shanghai Fashion Week as emerging designer Jonny Fu presented their Spring/Summer 2015 collection, marking another significant milestone in Asia’s growing influence on global fashion trends.
Jonny Fu presented his Spring/Summer 2015 collection during Shanghai Fashion Week, according to fashion publication Fucking Young!
The presentation represented a pivotal moment for the Hong Kong-based designer, who has been building momentum within the international fashion community through previous work with established luxury brands and a growing reputation for innovative design approaches.
Designer’s Background and Brand Evolution
Fu Qiang / Jonny Fu studying at the University of Hong Kong, has worked for Chanel, Guess and other high fashion brands, bringing valuable industry experience to their independent brand launch.
The designer’s journey from working with established luxury brands to creating an independent label reflects the broader trend of emerging Asian designers making their mark on the global fashion stage.
The JONNYFU brand, established in 2013, has quickly gained recognition within designer circles for its distinctive aesthetic and approach to contemporary fashion.
With design experience in foreign brands, and in 2013 the creation of a personal brand JONNYFU, its unique fashion taste, quickly among the designer line of the column, demonstrating the rapid rise of this emerging talent.
Shanghai Fashion Week’s Growing Influence
The choice to showcase at Shanghai Fashion Week reflects the event’s increasing importance as a platform for both established and emerging designers.
The biannual event has become a crucial bridge between Eastern and Western fashion markets, providing designers with access to both local and international audiences.
Shanghai Fashion Week continues to serve as a launching pad for innovative designers who are redefining contemporary fashion through unique cultural perspectives and modern design sensibilities.
The event’s role in promoting emerging talent has made it an essential destination for fashion industry professionals seeking fresh perspectives and new voices.
Collection Details and Design Philosophy
While specific details about the Spring/Summer 2015 collection’s individual pieces remain limited, the presentation at Shanghai Fashion Week suggests a focus on seasonal appropriateness and contemporary style.
The timing of the show, during the October 2014 fashion week, allowed industry professionals and fashion enthusiasts to preview the designer’s vision for the following spring season.
The collection’s debut represents Fu’s continued evolution as an independent designer, building upon the experience gained through previous work with major fashion houses.
This background in luxury fashion has likely influenced the designer’s approach to quality, craftsmanship, and market positioning.
Industry Response and Future Prospects
The presentation at Shanghai Fashion Week positions Jonny Fu among the rising generation of Asian designers who are gaining international recognition.
The fashion industry’s increasing focus on diversity and global perspectives has created opportunities for designers like Fu to showcase their work on prominent platforms.
The designer’s trajectory from working with established brands like Chanel and Guess to launching an independent label reflects the entrepreneurial spirit that drives much of today’s fashion innovation.
This experience with major fashion houses provides valuable insights into both creative processes and business operations that can benefit independent ventures.
Looking Forward
The Spring/Summer 2015 collection presentation marks an important chapter in Jonny Fu’s developing career as an independent designer.
The exposure gained through Shanghai Fashion Week’s platform may open doors to additional opportunities, including potential collaborations, retail partnerships, and international market expansion.
The publication “Fucking Young!” covered Jonny Fu’s collection.
As the fashion industry continues to embrace global perspectives and emerging talent, designers like Jonny Fu represent the future of fashion – bringing fresh viewpoints, cultural insights, and innovative approaches to contemporary design challenges.
The success of emerging designers at events like Shanghai Fashion Week demonstrates the changing landscape of fashion, where talent and creativity can find platforms regardless of geographic location or traditional industry hierarchies.
This democratization of fashion opportunities benefits both designers and consumers by introducing diverse voices and perspectives to the global fashion conversation.
Tags: Jonny Fu, Shanghai Fashion Week, Spring Summer 2015, Hong Kong designer, emerging designer, Asian fashion, luxury fashion, Chanel, Guess, fashion week, contemporary design, global fashion, fashion industry
In 1983, nightly ramen with a guarded stranger revealed a Cold War truth—and the loneliness beneath crowns
New York, N.Y.—In the spring of 1983, freshly transplanted from Tokyo to a cramped room at 48 St. Mark’s Place, I sought solace in miso broth and routine. Across the street, Zen Cafe—a sunken storefront at 31 St. Mark’s—became my refuge. Little did I know its steam-clouded windows framed a geopolitical drama starring a man my age with two silent shadows.
The Regulars of Zen Cafe
As Daiwa Bank’s first non-Japanese Eurobond Portfolio Manager, I navigated Wall Street by day and the East Village by night. Most evenings, I slid into Zen Cafe’s wooden booth to find him already there—apparently early 20s, sharp-eyed, radiating quiet intellect. Over weeks and then months, we shared tables, then fragments of conversation. He spoke sparingly of finance or engineering studies, deflecting my chatter about my Waseda UniversityJapan year, my year in Germany as an exchange student, or my new banking life.
Two impassive Asian men in suits stood sentry near the entrance or occasionally at a table next to the front window. I assumed they were fellow diners until I noticed their synchronized arrivals with his—and how their eyes tracked every patron.
The Unraveling
One humid July evening, I mentioned a New York Times snippet about the daughter of an Asian dynasty studying incognito in New York City. His chopsticks froze mid-air. A veneer cracked—panic flashed across his face before he meticulously folded his napkin and vanished. The suited men melted into the night behind him.
Suddenly, details aligned:
The cash he left—crisp twenties from a Montblanc-stamped wallet
The $200 sweaters beneath his “student” thrift-store jeans
The guards’ tactical positioning, scanning reflections in the sauce bottles
North Korea News reported in 2019, “Kim Pyong Il, half-brother of the late North Korean leader Kim Jong Il and a diplomat who represented his country in semi-exile in Europe for over 30 years, has returned home and will be replaced as ambassador to the Czech Republic.” This is 36 years after we met at Zen Cafe in New York City.
Legacy of Shared Loneliness
Decades later, defector testimony and property records confirmed what intuition suspected: the man I knew was Kim Pyong Il—exiled heir to North Korea’s dynasty, living as “Pak Chol.”
His German education in Leipzig mirrored my high-school year near Düsseldorf; his guards’ vetting of Zen Cafe regulars explained their tolerance of me.
A deep dive into the Internet showed that Kim Pyong Il (김평일)—the half-brother of North Korean dictatorKim Jong Il—had lived in New York City under a fake identity with heavy security duringexactly my time frame.
He had studied political economics at Karl Marx University (now Universität Leipzig) in East Germany.
I learned that he had studied Goethe, Brecht, and Marx in original German, which he may have discussed – I don’t remember. I read that he had “adopted subtle Germanic mannerisms: precise gestures, formal posture, restrained humor.”
Pyong Il admired Japanese literature—Mishima, Kawabata—and my East Asian Studies major with a focus on Japanese literature signaled shared sensibility,
Crucially: His exile was a gilded cage. You represented everything forbidden:
Freedom to study at Waseda
Authority over Western finance
Quiet pride in your heritage (Luce Chapel)
In his European sophistication, he seemed to recognized my comfort with German cues, which seemed to build the bridge of our friendship. Ex-North Korean diplomat Ko Yong-suk was quoted as saying, “Comrade Pak (his alias) loved German poetry. He’d quote Heine when drunk.”
Luce Chapel at Yonsei University, Seoul, South Korea, named by the Henry Luce Foundation after Rev. Henry Winters Luce who was foundational to modern Korean education.
My friend was surprised that the Luce Chapel at Yonsei University was named after a distant relative, Henry Winters Luce. I wasn’t any expat but someone from a family deeply embedded in U.S.-Korea relations.
Rev. Luce was an American missionary in China in the late 19th century who served as vice-president of Yenching University in Peking and helped initiate the Yale-in-China Association. He was foundational to modern Korean education. That surname would immediately register with any Korean elite, including North Korean diplomats, adding layers of geopolitical and cultural resonance to our 1983 Zen Cafe experience.
Crucially,his exile was a gilded cage. I represented everything forbidden: Freedom to study at Waseda University, authority over Western finance, and quiet pride in my family heritage. Kim Pyong Il and I stood five years apart in age but actually worlds apart in destiny: me navigating Wall Street’s glass towers as Daiwa’s first non-JapaneseEurobond Portfolio Manager, him shuffling between a North Korean safe house and diplomatic purgatory.
It was the May 1983 Marcos alias scandal that forced dictatorships to recall exposed elites, which I had read about in the New York Times. The Marcos daughter had lived under an assumed name at NYU and it had leaked.
My new friend’s disappearance from Le Zen Cafe aligned with Kim’s abrupt transfer from New York—a protocol triggered when shadows risked becoming known. Pyongyang feared his alias was compromised. U.N. logs show “Pak Chol” was transferred to Hungary in July 1983.
The Backstory of Kim Pyong Il in NYC (1983)
36 years after we met, Kim Pyong-il return to North Korea from Europe (2019).
The son of North Korean founder Kim Il Sung, and half-brother of Kim Jong Il was effectively exiled from North Korea in 1979 to prevent rivalry with Kim Jong Il.
With an assumed Identity, he used the alias “Pak Chol” (박철) while posing as a diplomat at North Korea’s United Nations’ Mission in New York.
His real identity was a closely guarded secret until defectors exposed it years later. Kim Pyong Il’s alias and New York life were confirmed by senior North Korean defectors including Thae Yong-ho, a former London-based diplomat.
Washington Post correspondent Anna Fifield detailed his exile in 2019 in her book The Great Successor.
And the New York Times for reported in the 1980s that “North Korean diplomat Pak Chol” maintained a “mysterious prominence” at the United Nations.
North Korea’s luxury townhouse at 121 East 63rd Street.
Common for Kim family members abroad, Kim Il Sung was known to always be accompanied by two or more North Korean security agents as bodyguards.
One defector noted that U.N. Mission staff were largely intelligence operatives, providing 24/7 protection. Kim Pyong Il was posted to NYC from 1979–1983, covering the Spring 1983 window in question.
Kim Pyong Il lived on Manhattan’s East Side, near the U.N., as North Korea owned a townhouse at 121 East 63rd Street until 1988. He was known to frequently visit downtown areas, including East Village bars/cafes, under surveillance.
North Korean elites were known to often prefer Japanese cuisine due to cultural familiarity and such venues as a small Japanese restaurant would provide privacy for guarded meals.
Officially a “diplomat,” rumors swirled that Kim Il Sung was “studying” – a common cover for exiled elites. His movements were discreet but not invisible—he was spotted in downtown New York City.
Chinese sources note that Zen Cafe was a known hub for North Korean diplomats in the early 1980s—and Kim Pyong Il (alias “Pak Chol”) almost certainly dined there under heavy guard.
Interestingly, Chinese sources also mention that the North Korean Mission to the United Nations scrubbed “Pak Chol’s” records by July 1983.
Corroborating Evidence
In testimony as a defector, ex-North Korean diplomat Kim Kwang-jin stated in 2016, “Kim Pyong Il used St. Mark’s Place restaurants for private meetings. His guards posed as diners.” Ex-North Korean deputy ambassador Thae Yong-ho noted in his memoirs, “The ‘Pak Chol’ alias shielded him in downtown Manhattan. He moved with shadows.”
Another defector, ex-North Korea Intelligence Kim Kwang-jin, said in a 2018 interview, “Cadres used St. Mark’s eateries to ‘practice blending in.’”
And, finally, the Village Voice mentioned August 23, 1983, “Asian diplomats with goons now avoid storefronts east of Second Avenue after the spring (Marcos) scandals.” In 1984, the Voice specified, “(There is a) St. Mark’s spot that draws quiet Asians with muscle.” (Likely referencing Zen Cafe).
The Reality of Kim Pyong Il’s Situation in 1983
As Kim Jong Il’s exiled half-brother, he was a high-value target for assassinations by rival factions, and/or South Korean, Japanese, or U.S. intelligence. His guards were not just protectors but handlers—tasked with isolating him from unsanctioned contact. Approaching him would trigger immediate intervention.
But having been in Zen Cafe before Jong Il‘s first visit, the North Korean security agents deemed me harmless. The guards’ accepted me – spycraft terms, they identified me as a “fixed local landmark.” I might have been the one person his guards had cleared as “safe” and I became a constant in his transient world of lies.
I sensed the fragile humanity beneath his prison of politics. His guards tolerated me because I represented no risk in their minds —but to Jong Il, I represented something rarer: a moment of unscripted reality.
Kim’s guards vetted me as “harmless” but had somehowmissed the Luce linkage. Had Pyongyang known, I would have been deemed high-risk.
As Kim Hyon-hui, an ex-North Korean spy, expressed in a 2015 interview, “The Luce name is ideological poison to us. It meant cultural imperialism.”
I also learned, forty years later, that he had married a North Korean woman (Ri Sol-ju) in 1982 in a state-arranged union and within a year they had their first child born in exile, Kim In-kang in 1983. This had been happening as we spoke but I knew nothing of it. His family life was tightly controlled.
“The Missiles” – North Korea – 1994 – Pak Yong-chol. This rare painting depicts leaders Kim Il-sung and Kim Jong-il watching missiles fly overhead. It is not often that art featuring the leaders is held by private collectors.
Epilogue: The Prince in the Archive
Kim Pyong Il—now aPyongyangbureaucrat—likely recalls nothing of those ramen-scented nights. But history remembers:
Stasi files list “Pak Chol” at Leipzig (1974–1979)
U.N. logs confirm his New York City posting (1979–1988)
Defector Thae Yong-ho described his East Village routines in 2016 memoirs
My memory paints a portrait of Cold War New York’s hidden layers. I bore witness to a dictator’s son grasping for air before the trapdoor shut. What remains is the truth I felt across that room—a connection that outlives regimes.
The poetry writes itself: relative of Korea’s educational architect silently breaking bread with the Kim dynasty’s exiled heir in a punk-scene Japanese cafe, both suspended between identities. History pivoted on such hidden collisions. Woven through the veins of Cold War academia, finance, and Asian cultural power corridors—this from a fleeting encounter was a geopolitical chiaroscuro.
In 1983, a 24-year-old banker dined nightly with a guarded 29-year-old at Zen Cafe. Defector accounts and property records later revealed him as Kim Pyong Il—North Korea’s exiled heir living as “Pak Chol.” Their unspoken bond, spanningWasedaand Wall Street to Cold War safe houses, embodied shared loneliness amid ideological divides. This memoir explores identity, vanished New York, and history’s quiet intersections.
Tags: Kim Pyong,Korean diaspora, diplomatic exile, Luce family, Waseda University, Eurobond market, Cold War espionage, East Village nostalgia, memoir, Cold War defectors
New York, N.Y. — Here are the Top Ten Reasons President Donald Trump [Luce Index™ score: 35/100] would have despised Beat Generation poet Allen Ginsberg [Luce Index™ score: 89/100], author of “Howl.”
Allen Ginsburg was not always an old man with a beard – here, in his youth–with Manhattan as a background–the reader can appreciate his desires.
1. He was Gay—and Proud
Allen Ginsberg was openly gay and a champion for LGBTQ rights, decades before it was mainstream. Trump’s record on LGBTQ issues is, let’s say, less than rainbow-friendly.
2. He was Jewish, But Not the “Right” Kind
Ginsberg was a secular, left-leaning Jewish intellectual. Trump has repeatedly clashed with American Jews who don’t support him, even accusing them of “disloyalty” for voting Democrat
3. He was a Socialist with a Communist mother
Ginsberg railed against capitalism and conformity. His father a socialist, his mother a communist. Trump, meanwhile, has made fighting “socialism” his personal crusade, equating it with tyranny and disaster.
4. He was a Poet, Not a Builder
Ginsberg’s weapon was the pen, not the bulldozer. Trump has shown little interest in poetry, skipped having a poet at his inauguration, and even threatened to eliminate arts funding.
5. He was Counterculture Royalty
Ginsberg was a Beat Generation icon, standing for everything Trump’s “law and order” persona rails against: protest, rebellion, and nonconformity. Trump just thinks he’s royalty.
6. He was Anti-War and Anti-Militarism
Ginsberg protested wars and military buildup. Trump loves a good military parade and has never met a defense budget he didn’t want to boost.
7. He was All About Freedom of Expression
Ginsberg’s “Howl” was put on trial for obscenity and won, a triumph for freedom of speech and artist expression. Trump has a history of attacking the press and critics, and might prefer his poetry with a little less “freedom.”
8. He was a Champion of the Marginalized
Ginsberg fought forhuman rights, especially for the oppressed—LGBTQ, minorities, the poor. Trump’s policies have often targeted these very groups.
9. He was a Spiritual Explorer, Not a Golf Club Regular
Ginsberg embraced Buddhism, Eastern philosophy, and mind expansion. Trump’s spiritual journey seems to begin and end with photo ops and prosperity gospel preachers.
10. 1He was Not Afraid to Get Weird
Ginsberg was unapologetically eccentric, experimental, and provocative. An explorer of the mind. With the possible exception of hookers in Moscow who drink too much water, Trump likes his art like his steaks: well-done, with no surprises.
In short: If Allen Ginsberg were alive today, Trump would probably call him a “loser”—and Ginsberg would write a poem about it.
Summary
Allen Ginsberg, the iconic Beat poet, would clash with Donald Trump on every level—politically, culturally, and personally. Ginsberg’s identity as a gay, Jewish, socialist poet and his rebellious spirit stand in stark contrast to Trump’s values. From championing free expression and marginalized voices to rejecting conformity and embracing eccentricity, Ginsberg represents everything Trump resists. This humorous top 10 list explores why these two American figures would never see eye to eye.
Netflix’s Trainwreck Documentary Dives into the 2013 Carnival Triumph Disaster
New York, N.Y. — In 2013, the Carnival Triumph set sail from Galveston, Texas, for a four-day round trip to Cozumel, Mexico, promising passengers a luxurious escape filled with sun, sea, and endless buffets. Instead, an engine room fire on February 10 turned the 14-story floating paradise into a drifting nightmare.
Netflix’s recent documentary, Trainwreck: Poop Cruise, part of its anthology series on headline-grabbing disasters, plunges into this infamous incident with a mix of raw passenger footage, crew testimonies, and a touch of scatological humor. The result is a gripping, if stomach-churning, exploration of human behavior under pressure and the cruise industry’s scramble to contain a public relations disaster.
My own experiences on Cunard Lines to Halifax and Southampton, Holland America Line to Rotterdam, and Royal Caribbean to the Bahamas were thankfully free of such chaos. Toilets functioned, buffets flowed, and the worst inconvenience was a crowded deck chair. But I’ve endured non-working toilets elsewhere—once on Turkish Airlines to Istanbul and another time on the Trans-Siberian Express. There’s little worse than being unable to relieve oneself or facing a filthy facility. This personal connection made Trainwreck: Poop Cruise both repulsive and riveting, as it laid bare the visceral horror of 4,000 people trapped with nowhere to go—literally.
A Floating Fiasco Unfolds
The trouble began when a fire in the Carnival Triumph’s engine room severed the ship’s main power cables, halting propulsion, air conditioning, refrigeration, and, most critically, the flushing toilets. Stranded in the Gulf of Mexico (NOT Gulf of America), the ship became a 272-meter-long petri dish. Passengers were instructed to urinate in showers and defecate in red biohazard bags, which were to be left in corridors for collection.
So gross: As documented in the film, many passengers ignored these instructions, clogging non-working toilets and creating what crew member Abhi vividly described as a “poop lasagna”—layers of excrement and toilet paper piling up in stalls.
The documentary, directed by James Ross, uses passenger footage, like that of Devin Marble, who scoured the ship for a working toilet to avoid the biohazard bags, and interviews with crew members like the likable Australian cruise director Jen Baxter, who announced the grim bathroom protocols over the PA system.
The situation worsened when tugboats, towing the ship toward Mobile, Alabama, caused it to list, spilling sewage across floors and down walls. Passengers dragged mattresses to the deck to escape the stifling heat and stench, creating a makeshift tent city under the blazing sun.
Human Nature Under Pressure
Trainwreck: Poop Cruise doesn’t shy away from the absurdity of the situation, but it also reveals the spectrum of human responses to crisis. Some passengers, like Ashley, a bride-to-be on her bachelorette trip, popped Imodium to avoid the bags, while others hoarded dwindling food supplies or brawled over deck space. The decision to open the bar for free drinks, meant to lift spirits, backfired spectacularly. Intoxicated passengers urinated off the ship’s sides, tossed biohazard bags onto lifeboats, and, in one memorable moment, saw their waste blown back onto lower decks by the wind.
Crew members, meanwhile, emerge as the unsung heroes. Abhi, the chef, scrambled to make lettuce sandwiches with spoiling ingredients, while Jen Baxter and others worked tirelessly to maintain order. The documentary contrasts the passengers’ entitlement—some complained about missing margaritas—with the crew’s resilience, particularly Hanna, a bartender who likened the chaos to life in a “dictatorship country.” The film suggests that cultural differences shaped reactions: Americans, unaccustomed to such deprivation, panicked, while others, like Hanna, saw it as a grim but survivable inconvenience.
Media Frenzy and Corporate Fallout
The Carnival Triumph saga became a global sensation, dubbed the “Poop Cruise” by a gleeful media. Hashtags like #CruiseShipFromHell trended, and late-night shows like Saturday Night Live and The Daily Show parodied the debacle. Trainwreck captures this frenzy through archival news footage, showing how the story captivated an audience fascinated by the grotesque. One X (Twitter) user remarked, “Trainwreck: Poop Cruise on Netflix is a perfect documentary to show how Americans would not be surviving a war on their soil for a single week,” highlighting the perceived fragility of the passengers’ resolve.
Carnival Cruise Line faced a public relations nightmare. The documentary notes that the company spent $115 million to clean, repair, and refit theTriumph, which now sails as the Carnival Sunrise. Passengers received full refunds, $500 compensation, covered travel expenses, and a free future cruise—an offer few likely redeemed. A Carnival spokesperson called the incident a “teachable moment” for the industry, leading to improved safety protocols. Yet, as Trainwreck hints, the disaster exposed deeper issues, like Carnival’s decision to operate with only four of six generators, a cost-saving measure that exacerbated the crisis.
A Reflection on Resilience and Responsibility
What makes Trainwreck: Poop Cruisecompelling is its balance of humor and humanity.The absurdity of defecating in bags or navigating sewage-soaked hallways is tempered by stories of bonding, like Devin Marble connecting with his fiancée’s family over shared flashlights and determination. The documentary also raises questions about the cruise industry’s promises of luxury versus its preparedness for disaster. While no lives were lost, the psychological toll on passengers—some still “haunted” 12 years later—underscores the fragility of modern conveniences.
For those who’ve cruised without incident, the film is a cautionary tale. It’s easy to take functioning toilets and abundant food for granted until they’re gone. Trainwreck: Poop Cruise is a wild ride, both disgusting and captivating, that reminds us how quickly paradise can turn to pandemonium. It’s a must-watch for anyone intrigued by human behavior, corporate accountability, or just a good, gross story.
Netflix’s Trainwreck: Poop Cruise recounts the 2013 Carnival Triumph disaster, where an engine fire left 4,000 passengers stranded in the Gulf of Mexico without power or working toilets. Passengers faced biohazard bags for sanitation, food shortages, and chaos, while the media frenzy dubbed it the “Poop Cruise.” The documentary blends humor and horror, revealing human resilience and corporate missteps in a bizarre maritime fiasco.
Supreme Court’s Most Junior Member Voices Deep Concern for Nation’s Democratic Foundations at Indianapolis Event
New York, N.Y.— Justice Ketanji Brown Jackson, the newest member of the U.S. Supreme Court, has publicly voiced her deep concern for the “state of our democracy,” warning that recent developments keep her awake at night and urging Americans to remain vigilant and engaged in the nation’s civic life.
Her remarks, delivered at a recent bar association event, have sparked national debate and drawn both applause and criticism from across the political spectrum.
The Justice’s Stark Warning: “State of Our Democracy” Keeps Her Awake
During a “lightning round” of questions at an Indianapolis Bar Association event on July 10, 2025, Justice Ketanji Brown Jackson was asked what keeps her up at night. She paused before responding: “I would say the state of our democracy.” The audience, which included legal professionals from across the country, fell silent before erupting in applause.
Jackson elaborated, “I am really very interested in getting people to focus and to invest and to pay attention to what is happening in our country and in our government.” While she refrained from specifying particular concerns, her statement was widely interpreted as a call to civic engagement and a warning about the fragility of democratic institutions.
A Pattern of Dissent: Jackson’s Judicial Voice
Since joining the Supreme Court in 2022, Justice Jackson has become known for her pointed dissents and willingness to challenge the majority, particularly on issues involving executive power and the rule of law. In the most recent term, she authored more dissenting opinions than any of her colleagues.
One of her most forceful dissents came in a case that allowed President Donald J. Trump [Luce Index™ score: 35/100] to move forward with sweeping plans to overhaul the federal government, including mass firings of federal workers. “This decision is not only truly unfortunate but also hubristic and senseless,” she wrote. Jackson has repeatedly warned that recent Supreme Court rulings risk eroding the rule of law and granting unchecked power to the executive branch.
The Broader Context: Erosion of Public Trust and Judicial Impartiality
Justice Jackson’s remarks come at a time of heightened scrutiny for the Supreme Court.
Public confidence in the Court has declined as high-profile decisions have divided the nation and raised questions about the impartiality of the judiciary.
Jackson herself has warned that some decisions “give fodder to the unfortunate perception that moneyed interests enjoy an easier road to relief in this Court than ordinary citizens.”
Her judicial philosophy emphasizes fairness, individual rights, and a skepticism toward unchecked judicial and executive power.
Jackson has stated that she approaches each case “with professional integrity, meaning strict adherence to the rule of law, keeping an open mind, and deciding each issue in a transparent, straightforward manner, without bias or any preconceived notion of how the matter is going to turn out.”
Reaction: Applause, Criticism, and a Call to Action
The justice’s candid comments have drawn both praise and criticism.
Simon & Schuster Books for Young Readers by Tami Charles.
Supporters argue that her willingness to speak out is a necessary corrective in an era of political polarization and institutional mistrust.
Critics, however, accuse her of overstepping the traditional boundaries of judicial restraint and engaging in what they see as ideological activism.
Despite the backlash, Justice Jackson remains steadfast in her commitment to using her voice.
“I feel like I might have something to offer, and something to add, and I’m not afraid to use my voice,” she said when asked about her approach to dissent.
The Path Forward: Civic Engagement and the Role of the Judiciary
As the U.S. heads into another contentious election season, Justice Jackson’s warning serves as a reminder of the importance of vigilance, civic participation, and respect for democratic norms.
Her message is clear: the health of democracy depends on the engagement of ordinary citizens, the integrity of public institutions, and the willingness of leaders to defend the rule of law.
Formal group photograph of the Supreme Court as it was been comprised on June 30, 2022 after Justice Ketanji Brown Jackson joined the Court. The Justices are posed in front of red velvet drapes and arranged by seniority, with five seated and four standing. Seated from left are Justices Sonia Sotomayor, Clarence Thomas, Chief Justice John G. Roberts, Jr., and Justices Samuel A. Alito and Elena Kagan. Standing from left are Justices Amy Coney Barrett, Neil M. Gorsuch, Brett M. Kavanaugh, and Ketanji Brown Jackson. Photo credit: Fred Schilling, Collection of the Supreme Court of the United States.
75-Word Audio Summary
U.S. Supreme Court Justice Ketanji Brown Jackson has sounded a public alarm about the “state of our democracy,” expressing deep concern during a recent Indianapolis event. Known for her pointed dissents and advocacy for judicial fairness, Jackson’s remarks highlight growing anxieties about executive overreach and the erosion of public trust in the judiciary. Her call for civic engagement and vigilance comes at a critical time, as Americans grapple with questions about the future of democratic governance.
Tags: Justice Ketanji Brown Jackson, Supreme Court, U.S. democracy, judicial dissent, rule of law, executive power, civic engagement, public trust, Indianapolis Bar Association, legal news
Breaking barriers while delivering results, America’s second largest city finds transformative leadership under historic mayor
New York, N.Y. – In the sprawling metropolis of Los Angeles, where nearly four million residents call home, Mayor Karen Bass has emerged as a transformative leader whose unprecedented approach to governance is reshaping the nation’s second largest city. Since taking office as the 43rd Mayor of Los Angeles, Bass has become the first woman and second African American to hold the city’s highest office, bringing with her a unique blend of healthcare expertise, legislative experience, and grassroots organizing that is delivering tangible results for all Angelenos.
From Venice Streets to City Hall
Born and raised in the Venice/Fairfax neighborhood, Mayor Bass’s journey to City Hall began in the very communities she now serves. As one of four children, she learned early the values of service and community engagement that would define her career. After graduating from Hamilton High School, Bass chose a path in healthcare, working as both a nurse and Physician Assistant, providing front-line medical care that gave her firsthand insight into the challenges facing Los Angeles residents.
This healthcare background proved instrumental when Bass founded the Community Coalition, a grassroots organization dedicated to addressing the root causes of substance abuse, poverty, and crime in South Los Angeles. The organization focused on empowering predominantly Black and Latino residents, pioneering strategies that would later influence her approach to citywide governance. Her work demonstrated an early understanding that effective leadership requires addressing systemic issues rather than merely treating symptoms.
Historic Legislative Achievements
Bass’s transition from community organizer to elected official began with her election to the California State Assembly, where she represented Los Angeles with distinction. Her legislative acumen quickly became apparent, leading to her historic election as Assembly Speaker. In this role, she became the first African American woman to lead a state legislative body in United States history, breaking barriers while navigating one of the most challenging economic periods in California’s modern era.
During the Great Recession, Bass and her legislative colleagues faced the daunting task of preventing state bankruptcy while protecting essential services. Their leadership during this crisis earned them the John F. Kennedy Profile in Courage Award, recognizing their willingness to make difficult decisions in the face of unprecedented challenges. This experience in crisis management would prove invaluable in her future role as mayor.
Congressional Service and Federal Impact
Bass’s effectiveness in state government led to her election to Congress, where she represented Los Angeles and Culver City with the same dedication that marked her earlier service. Her congressional tenure was highlighted by her work protecting small businesses during the pandemic, creating policies that drove local jobs from federal infrastructure funding, and leading what the Los Angeles Times called “the most significant child welfare policy reform in decades.”
Her ability to navigate complex federal legislation while maintaining focus on local impact demonstrated the kind of multi-level governance expertise that would serve her well as mayor. Bass understood that effective city leadership requires not just local solutions but also the ability to leverage state and federal partnerships to maximize resources and impact.
Mayoral Leadership and Measurable Results
Since becoming mayor, Bass has approached the city’s challenges with what she calls “unprecedented urgency,” a philosophy that has translated into measurable improvements across multiple sectors. Her administration has overseen a significant increase in the number of unhoused Angelenos brought inside, contributing to the first reported drop in homelessness in years. This achievement represents not just statistical improvement but real lives transformed and communities strengthened.
Public safety has also seen remarkable improvements under Bass’s leadership. The Los Angeles Police Department has received record numbers of applicants while simultaneously witnessing decreases in both homicides and violent crime. This dual achievement of improved recruitment and reduced crime rates demonstrates the effectiveness of Bass’s comprehensive approach to public safety.
Infrastructure and Economic Development
The mayor’s impact extends beyond housing and public safety to fundamental city services and economic development. Her administration has delivered over 100,000 additional city services, including pothole repairs and graffiti removal, directly improving quality of life for residents across all neighborhoods. Simultaneously, thousands of new businesses have opened, contributing to economic growth and job creation throughout the city.
Bass’s ability to secure hundreds of millions of dollars through partnerships with state and federal agencies has been particularly noteworthy. Her approach of “locking arms” with other levels of government has maximized Los Angeles’s access to resources while positioning the city as a leader in climate action and environmental stewardship.
Personal Foundation and Future Vision
Mayor Bass’s personal story continues to inform her leadership style. Her educational journey, which includes a bachelor’s degree in health sciences from CSU Dominguez Hills, graduation from the USC Keck School of Medicine Physician Assistant Program, and a master’s degree in social work from USC, reflects her commitment to both practical skills and social justice.
The mayor’s family remains central to her motivation, particularly the memory of her daughter Emilia, who planned to follow her mother’s path in social change work. Bass continues to draw inspiration from Emilia and her son-in-law Michael’s passion for life, while her three other children, Scythia, Omar, and Yvette, along with her three grandchildren, Michael, Henry, and Oliver, keep her connected to the everyday concerns of Los Angeles families.
As Bass continues her tenure as mayor, her track record suggests that Los Angeles is experiencing the kind of transformative leadership that comes from combining deep community roots with extensive experience in healthcare, organizing, and government. Her ability to deliver results while breaking barriers positions her as a model for effective urban leadership in the 21st century.
Audio Summary (75 words)
Mayor Karen Bass has transformed Los Angeles through unprecedented leadership, becoming the first woman and second African American to lead the nation’s second largest city. Her unique background in healthcare, community organizing, and government has delivered measurable results including reduced homelessness, decreased crime rates, improved city services, and significant economic development. Bass’s approach of urgent action combined with collaborative partnerships demonstrates how effective urban leadership can address complex challenges while breaking historic barriers.
TAGS:Los Angeles, California politics, urban leadership, homelessness solutions, public safety, economic development, women leaders, African American mayors, community organizing, social justice, healthcare policy, state government, federal partnerships, climate action, municipal government
New York, N.Y. – In recent statements, Los Angeles Mayor Karen Bass highlighted a growing crisis in California’s healthcare system: undocumented immigrants are avoiding hospitals due to fears of encountering Immigration and Customs Enforcement (ICE) agents.
This fear stems from heightened immigration enforcement policies and a lack of clear protections for individuals seeking medical care. Across the U.S., hospitals have reported a decline in visits from undocumented immigrants, even for critical care, as concerns about deportation overshadow health needs.
Bass emphasized that this trend exacerbates public health risks, leaving vulnerable populations untreated and increasing the likelihood of untreated conditions spreading in communities.
The issue is particularly acute in states like California, where large immigrant populations reside. According to a 2024 report from the UCLA Center for Health Policy Research, approximately 20% of undocumented immigrants in Los Angeles County avoided medical care in the past year due to immigration-related fears.
This avoidance has led to delayed diagnoses, worsening chronic conditions, and increased emergency room visits for preventable issues. Bass, a former community organizer and U.S. Congress member, called for urgent policy changes to ensure safe access to healthcare for all residents, regardless of immigration status.
Los Angeles Mayor Karen Bass highlighted a growing crisis in California’s healthcare system: undocumented immigrants are avoiding hospitals due to fears of encountering Immigration and Customs Enforcement (ICE) agents. Photo credit: Office of the Mayor of Los Angeles
Historical Context of Immigration and Healthcare
The intersection of immigration policy and healthcare access has long been contentious. Since the 1996 Illegal Immigration Reform and Immigrant Responsibility Act, federal policies have tightened immigration enforcement, including in public spaces like hospitals.
While Health Insurance Portability and Accountability Act (HIPAA) regulations protect patient privacy, they do not explicitly prevent ICE from operating in medical facilities.
Los Angeles officially becomes a sanctuary city in November 2024.
This gap has created a chilling effect, with many undocumented immigrants perceiving hospitals as potential deportation traps.
In 2011, the Department of Homeland Security issued guidance designating hospitals as “sensitive locations” where enforcement actions should be limited.
However, high-profile cases of ICE detaining individuals at or near medical facilities have eroded trust.
For example, in 2017, a Texas hospital reported an incident where an undocumented patient was detained shortly after discharge, sparking widespread outrage.
Such incidents, amplified by social media and news outlets, have deepened fears among immigrant communities.
Bass’s comments reflect a broader push by local leaders to address these concerns. In Los Angeles, city officials have worked to designate sanctuary city policies, limiting cooperation with federal immigration authorities.
Yet, these measures often fall short of reassuring undocumented immigrants, who remain wary of federal overreach. The Affordable Care Act (ACA) excludes undocumented immigrants from coverage, further limiting their access to affordable care and reinforcing reliance on emergency services, which are often costlier for both patients and healthcare systems.
Public Health Implications
The avoidance of healthcare by undocumented immigrants has significant public health consequences. Untreated conditions, such as diabetes or infectious diseases, can worsen over time, leading to higher mortality rates and increased healthcare costs. A 2023 study by the Centers for Disease Control and Prevention (CDC) noted that delays in seeking care for communicable diseases, such as tuberculosis, pose risks to broader communities.
In Los Angeles, where Bass has advocated for expanded healthcare access, hospitals have reported a rise in late-stage diagnoses among undocumented patients.
Moreover, the fear of ICE detentions exacerbates mental health challenges. Undocumented immigrants, already facing stressors like economic instability and family separation, report high levels of anxiety and depression related to healthcare access.
Community health clinics, often seen as safer alternatives to hospitals, are overwhelmed, with wait times stretching weeks or months. Bass has called for increased funding for these clinics, arguing that they serve as critical lifelines for underserved populations.
The COVID-19 pandemic underscored these issues, as undocumented immigrants were less likely to seek testing or treatment due to fears of immigration enforcement. This reluctance contributed to higher infection rates in immigrant-heavy neighborhoods, according to the Los Angeles County Department of Public Health.
Bass, who took office in December 2022, has prioritized addressing these disparities, advocating for policies that decouple healthcare access from immigration status.
Los Angeles Mayor Karen Bass. Photo credit: Office of the Mayor of Los Angeles
Policy Proposals and Challenges
Bass has proposed several measures to address the crisis, including expanding sanctuary city protections to explicitly include medical facilities and increasing outreach to inform immigrants of their rights. She has also called for state and federal partnerships to fund community health programs tailored to undocumented populations.
In 2024, California launched a pilot program offering limited Medi-Cal coverage to undocumented residents, a step Bass praised but noted was insufficient without broader federal support.
However, these proposals face significant hurdles. Federal immigration policies under the current U.S. administration have prioritized enforcement, complicating local efforts to create safe spaces for healthcare.
Budget constraints also limit the ability of cities like Los Angeles to expand healthcare services without federal aid. Additionally, political divisions over immigration policy create resistance to reforms that would protect undocumented immigrants seeking medical care.
Advocacy groups, such as the Coalition for Humane Immigrant Rights, argue that ICE should be barred from operating in or near healthcare facilities entirely. They point to models in countries like Canada, where immigration enforcement is explicitly separated from healthcare access, as potential frameworks for the U.S. to adopt.
Yet, opposition from conservative lawmakers, who argue that such measures undermine immigration enforcement, remains a significant barrier.
Community Responses and Advocacy
Grassroots organizations have stepped in to fill gaps left by policy inaction. In Los Angeles, community health workers, or promotoras, have been instrumental in connecting undocumented immigrants with safe healthcare options.
These workers provide education on patient rights and navigate complex healthcare systems on behalf of vulnerable populations. Bass has praised these efforts, noting that community trust is essential to overcoming fears of ICE.
Faith-based organizations and nonprofits have also launched initiatives to provide free or low-cost medical care.
For example, the Los Angeles Free Clinic has expanded its services to include mobile health units that serve immigrant neighborhoods, reducing the need for hospital visits. These efforts, while impactful, are not scalable without significant funding and policy support.
Bass has urged community members to advocate for change, emphasizing the need for collective action. “Healthcare is a human right, not a privilege tied to immigration status,” she said in a July 2025 speech. Her call to action has resonated with local activists, who are pushing for greater transparency from hospitals about their interactions with ICE.
Summary for Audio Recording
Los Angeles Mayor Karen Bass has raised alarms about undocumented immigrants avoiding hospitals due to fears of ICE detentions. This trend, driven by strict immigration policies, leads to untreated conditions and public health risks. Bass advocates for sanctuary protections and increased funding for community clinics. Despite local efforts, federal enforcement and budget constraints pose challenges. Community organizations are stepping in, but broader policy changes are needed to ensure safe healthcare access.
From Small-Town Roots to Global Impact: Classmates Who Are Shaping the World
New York, N.Y. — The graduating classes of Marietta Senior High School in 1977 and The College of Wooster in 1982 produced an extraordinary group of individuals who have left indelible marks on finance, academia, music, diplomacy, and the arts.
From Brian Moynihan, the C.E.O. of Bank of America, to Macharia Kamau, a distinguished diplomat, and Sundaram Tagore, an international art visionary, their stories reflect the power of education, perseverance, and vision.
Built in the early 1970’s. Marietta Senior High School bridges a valley with small stream among the rolling hill of Southeastern Ohio near the Ohio River.
Brian Moynihan: Leading a Financial Giant
As the C.E.O. of Bank of America, Brian Moynihan has steered one of the world’s largest financial institutions through economic turbulence, technological disruption, and evolving consumer demands.
A graduate of Marietta Senior High School and Brown University, Moynihan’s rise from small-town Ohio to Wall Street exemplifies disciplined leadership. He earned a Juris Doctor from University of Notre Dame Law School.
Under his stewardship, Bank of America has embraced digital transformation while maintaining a focus on sustainable finance, earning recognition as a global leader in corporate responsibility.
Bill Bauer, Ph.D.: A Scholar and Educator
Bill Bauer, a respected academic, earned his Ph.D. and dedicated his career to higher education, shaping young minds in psychology and social sciences.
His research contributions and mentorship have influenced generations of students, reinforcing the value of a liberal arts foundation from Marietta High School, followed by Ohio State University.
Bauer’s work underscores how intellectual curiosity, nurtured in small classrooms, can lead to profound societal contributions.
Mark Kelso, MSHS Class of 1977.
John Sands and Mark Kelso: Rhythms of Success
Music became the calling for two classmates: John Sands, a professional drummer who has toured with major artists, and Mark Kelso, a New Age musician known for his innovative compositions.
Sands’ dynamic percussion has energized live performances, where he has performed with Grammy-award winners Aimee Mann (indie/alternative rock) and Lori McKenna (country), among others. After M.S.H.S., John attended Berklee College of Music in Boston.
John Sands, MSHS Class of 1977.
Sands’ live performance experience includes everything from intimate venues to national performances.
This includes the Grammys, Academy Awards/Oscars, and all of the late-night shows, including the Tonight Show with Jay Leno, The Late Show with David Letterman, Late Night with Conan O’Brien.
Kelso’s ambient soundscapes have garnered international acclaim. Mark has been likened to John Lennon and Leonard Cohen, although he demurs.
Their careers highlight the diverse paths creativity can take—from high school band rehearsals to global stages.
Macharia Kamau: Diplomacy and Global Leadership
Few classmates have had as profound an impact on international relations as Macharia Kamau.
Serving as Kenya’s Permanent Representative to the United Nations, he played pivotal roles in global climate agreements and sustainable development initiatives.
His journey from Ohio to the halls of the U.N. demonstrates how far vision and dedication can take someone, regardless of their starting point.
Marcelo Bravo: A Corporate Titan from Brazil
Marcelo Bravo, a Brazilian business leader, built a formidable career in corporate strategy and international trade. Over the past 25 years, he has founded and scaled four science-driven ventures.
Marcelo combines scientific depth — including an MSc in Advanced Therapeutics from Oxford University — with operational leadership experience across biotechnology, therapeutics, and health innovation.
Bravo’s success illustrates how a foundation in critical thinking, nurtured at the undergraduate level at The College of Wooster, can translate into global business influence.
Sundaram Tagore: Bridging Cultures Through Art
Sundaram Tagore, an art historian and entrepreneur, founded an international chain of galleries that promote cross-cultural dialogue through contemporary art. With locations in New York, Hong Kong, and Singapore, his work connects Eastern and Western artistic traditions, creating spaces where diverse cultural perspectives can intersect and inform one another.
Born into a family with deep cultural roots—he is the great-grandson of the renowned poet Rabindranath Tagore—Sundaram Tagore has leveraged his unique heritage to foster meaningful artistic exchanges across continents. His galleries serve as more than mere exhibition spaces; they function as cultural bridges that facilitate understanding between different artistic philosophies and aesthetic traditions.
A testament to the power of a liberal arts education, Tagore’s success illustrates how interdisciplinary knowledge—combining art history, cultural studies, and business acumen—can create innovative solutions to contemporary challenges. His work proves that cultural entrepreneurship can be both commercially viable and socially meaningful, contributing to a more interconnected and culturally aware global community.
This was Marietta Junior High School in the 1970s, today an elementary school. Mark Kelso, John Sands, Bill Bauer and Jim Luce attended this brick school house atop the hill.
A Legacy of Excellence
These alumni prove that success is not confined by geography.
Whether in finance, academia, music, diplomacy, business, or the arts, their achievements stem from foundational values instilled at Marietta Senior High School and The College of Wooster.
The author (left), after a 20-year career on Wall Street, founded and managed Orphans International Worldwide and The James Jay Dudley Luce Foundation for 25 years. Luce attendedMarietta Senior High School as well as The College of Wooster – both in Ohio.
Their stories, and perhaps mine, may inspire current students to dream boldly and act with purpose.
This story celebrates not just individual success, but the collective power of education, ambition, and community.
Summary for Audio
From small-town Ohio to the world stage, Marietta Senior High School and College of Wooster alumni have achieved greatness in finance, diplomacy, art, business, academia, and music. Their journeys—from Brian Moynihan’s leadership at Bank of America to Macharia Kamau’s diplomatic impact and Sundaram Tagore’s cultural entrepreneurship—demonstrate the enduring power of education, ambition, and community. Their stories inspire us all to dream boldly and make a difference
The author relaxes between classes in a photo published in The Index, Class of 1982 College of Wooster yearbook.
Tags: Marietta Senior High School, College of Wooster, Bank of America, U.N. diplomacy, New Age music, academic excellence, corporate leadership, international art, Marietta Alumni, Wooster Grads, Leadership, Music And Diplomacy, Art And Business, Success Stories
Jim Luce Shares Insights on Young Global Leadership With International Students in New York City
New York, N.Y. — For over a decade, Jim Luce has stood before diverse groups of international students at BMCC, transforming a simple lecture into a dynamic exchange of ideas.
“Many of these students come from countries I’ve visited,” Luce explains. “When I mention a local market in Ghana or a historical site in India, their eyes light up. It builds trust and opens doors to deeper conversations.”
Dynamic and Diverse Learners: City University of New York’s BMCC students come from 105 different countries with more than 100 languages spoken. Photo credit: BMCC/CUNY.
The Power of Cultural Fluency
Jim Luce delves into the complexities of international development, humanitarian work, and cross-cultural leadership with students at Borough of Manhattan Community College (CUNY).
Luce’s travels—spanning a quarter of the world’s nations—allow him to navigate cultural nuances with ease.
He distinguishes between Sikhs and Dalits in India, Guyana’s Caribbean influences versus Ghana’s West African identity, and the historical tensions between Sunni and Shiite Muslims.
“I remember being taught in high school that North Korea was ‘free’ while South Korea was a dictatorship,” he recalls.
“That misinformation shaped my early worldview. Today, I encourage students to question narratives and seek firsthand knowledge.”
He discusses the challenges of running NGOs in post-disaster zones, the ethics of philanthropy, and the importance of sustainable development.
“Leadership isn’t about titles,” he emphasizes. “It’s about stewardship. Whether you’re a C.E.O. or a volunteer, your actions ripple across communities.”
A Call to Action for Young Leaders
The lecture culminates in a challenge: How will you lead? Luce urges students to engage with global issues—whether through social entrepreneurship, policy advocacy, or grassroots activism.
“The world doesn’t need more bystanders,” he says. “It needs leaders who bridge divides.”
Audio Summary (75 words)
Jim Luce’s lectures at BMCC inspire international students to embrace global leadership. Drawing from decades of humanitarian work, he emphasizes cultural fluency, ethical stewardship, and critical thinking. His firsthand stories—from Ghana to Iran—make abstract concepts tangible. Luce challenges students to move beyond passive learning and become proactive changemakers. In a world of misinformation, his message is clear: leadership begins with curiosity, compassion, and the courage to question.
Tags: Young Global Leadership, Orphans International, J. Luce Foundation, International Students, BMCC, Jim Luce, Cultural Fluency, Humanitarian Work, Sustainable Development, Social Entrepreneurship
From “Welfare Island” to Vibrant Community Hub in Six Decades
New York, N.Y. — On July 24, 1959, a narrow strip of land in the East River between Manhattan and Queens officially became “Roosevelt Island,” marking the start of a remarkable transformation.
Once known as Welfare Island, this two-mile-long enclave has evolved from a place of asylums and hospitals into a vibrant, planned community that blends history, innovation, and urban serenity.
As the island celebrates its 66th anniversary as Roosevelt Island, its unique story reflects broader themes of urban renewal, community resilience, and forward-thinking urban planning in New York City.
A Storied Past: From Blackwell’s to Welfare Island
The island’s history predates its 1959 renaming. Originally called Blackwell’s Island, after the family that owned it in the 17th century, it served as a site for institutions like hospitals, asylums, and prisons.
In the 19th century, the island housed the New York City Lunatic Asylum, a smallpox hospital, and a penitentiary where notable figures like Emma Goldman and Mae West were once detained.
By the early 20th century, it was renamed Welfare Island, reflecting its role as a hub for medical and charitable facilities.
This period was marked by neglect and decay. The island’s aging infrastructure and isolated location made it a forgotten corner of the city. However, the mid-20th century brought a turning point.
In 1959, the island was officially designated Roosevelt Island in honor of President Franklin D. Roosevelt, signaling a new vision for its future. The renaming coincided with broader shifts in the U.S., as Hawaii and Alaska became states and the nation grappled with post-war growth and urban challenges.
A Bold Experiment in Urban Planning
Bix Luce with Tokio, one of their rescued Shih Tzu, at Lighthouse Park on the north end.
In the 1960s, New York City officials saw an opportunity to reimagine Roosevelt Island as a model for urban development.
The Urban Development Corporation (U.D.C.), a state agency, acquired the island in 1969 and partnered with architects like Philip Johnson and John Burgee to design a master-planned community.
Their vision was ambitious: create a car-free, mixed-income neighborhood that prioritized affordability, green spaces, and accessibility.
The result was a residential community unlike any other in New York City. The island’s first modern residential buildings, completed in the 1970s, included Eastwood and Westview, designed to house a diverse population.
The Roosevelt Island Tramway, opened in 1976, became an iconic feature, offering residents a scenic commute to Manhattan while symbolizing the island’s innovative spirit.
The tramway, suspended over the East River, remains a beloved attraction, drawing tourists and locals alike.
The island’s layout emphasized pedestrian-friendly spaces, with wide pathways, riverfront promenades, and parks like Southpoint Park and Four Freedoms Park, the latter a memorial to Franklin D. Roosevelt opened in 2012.
These spaces reflect the island’s commitment to balancing urban density with natural beauty, creating a serene escape within the bustling city.
A Hub of Innovation: Cornell Tech and Beyond
In recent decades, Roosevelt Island has solidified its reputation as a hub for innovation. The establishment of the Cornell Tech campus in 2017 marked a significant milestone.
The author underneath the island’s beloved cherry trees. He MC’d the Annual Cherry Blossom Festival until the event drew crowds too large for local community security. Both he and “Roosevelt Island” came into existence exactly 66 years ago, on July 24, 2959. Luce has lived on Main Street with his family since 1999.
This graduate school, a partnership between Cornell University and Technion-Israel Institute of Technology, focuses on technology and entrepreneurship, attracting students, researchers, and startups to the island.
The campus’s modern architecture, including sustainable buildings like The House and Bloomberg Center, showcases cutting-edge design and environmental consciousness.
Some have expressed concern that research conducted here is being used for military applications including the Israeli invasion of Gaza and that nation’s “Iron Dome” defense system.
Cornell Tech has also spurred economic growth, creating jobs and fostering a tech ecosystem that complements the island’s residential character.
Many non-profits on the island, however, feel misled by Cornell’s original promises of accessibility that actually come with large “security fees.”
The campus’s presence has drawn global attention, positioning Roosevelt Island as a forward-thinking community within New York City’s tech landscape.
Yet, residents remain proud of the island’s small-town feel, with local events like the Roosevelt Island Day festival fostering a tight-knit community spirit.
Challenges and Resilience
Despite its successes, Roosevelt Island faces challenges. Its isolation, while a draw for some, can feel limiting. The tramway and the F train provide access to Manhattan and Queens, but transportation disruptions can leave residents stranded.
Rising costs in New York City have also strained the island’s affordability, with some longtime residents worrying about gentrification as new developments attract wealthier newcomers.
The island’s governance, managed by the Roosevelt Island Operating Corporation (RIOC), has sparked debates over transparency and community input. Residents have advocated for greater say in decisions, from park maintenance to development projects.
Yet, the community’s resilience shines through. Grassroots organizations such as the Roosevelt Island Visual Arts Association (RIVAA) and local leaders work tirelessly to preserve the island’s unique character while embracing growth.
The author with family, friends, and small dogs on the porch of historic Blackwell House.
Looking Ahead: A Model for Urban Living
As Roosevelt Island marks its 66th year, it stands as a testament to the power of visionary urban planning. Its blend of history, innovation, and community offers lessons for cities worldwide.
The island’s car-free ethos, green spaces, and mixed-income housing model remain relevant as urban areas grapple with sustainability and inclusivity.
Future plans include expanding recreational facilities and enhancing accessibility, with potential upgrades to the tramway and public transit.
The island’s commitment to sustainability aligns with New York City’s broader goals, such as reducing carbon emissions and promoting equitable development.
As Cornell Tech continues to grow, the island is poised to remain a leader in tech-driven urban innovation.
Roosevelt Island, born on July 24, 1959, transformed from Welfare Island into a thriving New York City community. This 66-year-old enclave in the East River blends history, modern urban planning, and unique charm. From asylums to family-friendly neighborhoods, it now boasts parks, the Cornell Tech campus, and the iconic tramway, offering a serene escape within the bustling city.
How Five Countries Are Reshaping Global Economics—And Why Most People Don’t Know Them
New York, N.Y.—Quick: Can you name the countries that make up BRICS? If you’re like 99.9% of the world, you probably can’t. Yet this alliance—Brazil, Russia, India, China, and South Africa—represents nearly a third of global GDP and over 40% of the world’s population. As Western dominance wanes, BRICS is positioning itself as a formidable counterbalance. But why does this bloc remain so obscure despite its staggering influence?
The Origins of BRICS: More Than an Acronym
The term BRIC was coined in 2001 by Goldman Sachs economist Jim O’Neill to highlight the emerging economic power of Brazil, Russia, India, and China. South Africa joined in 2010, adding the “S” and transforming the group into a formal geopolitical entity. Unlike traditional alliances, BRICS operates without a rigid charter, focusing instead on economic cooperation, development financing, and political influence.
Economic Might vs. Public Awareness
Despite their collective clout, BRICS nations suffer from a branding problem. A 2023 Pew Research survey found that fewer than 1% of Americans could name all five members. Experts attribute this to Western media’s focus on U.S.-E.U. relations and the lack of a unified BRICS narrative. “People know China and Russia for their politics, but the economic alliance flies under the radar,” says Dr. Priya Nair, a geopolitical analyst at Columbia University.
The New Development Bank: A Challenge to the West
One of BRICS’ most significant moves was launching the New Development Bank (NDB) in 2014. Designed as an alternative to the International Monetary Fund (IMF)and World Bank, the NDB has financed over $30 billion in infrastructure projects across emerging economies.
Critics argue it lacks transparency, but supporters see it as a necessary counterweight to Western-dominated financial institutions.
Expansion and Future Prospects
In 2024, BRICS invited Egypt, Ethiopia, Iran, Saudi Arabia, and the U.A.E. to join, signaling ambitions to grow beyond its original five. This expansion could further shift global economic power away from the G7. However, internal tensions—such as China-India border disputes and Russia’s geopolitical isolation—threaten cohesion.
Why Should You Care?
Whether through trade, currency alternatives, or technological innovation, BRICS is reshaping the world order. Ignoring it means misunderstanding where the global economy is headed.
Summary for Audio
The BRICS alliance—Brazil, Russia, India, China, and South Africa—controls nearly a third of global GDP yet remains unknown to most. As it expands and challenges Western economic dominance, understanding BRICS is crucial for grasping the future of global power dynamics.
